Thus, in the temporary realization of the chivalrous ideal, his
shattered sword stained with foolish blood, was Andrea the Mad, for nine
years King of Alsander, killed by the statue of his celebrated ancestor.
And as to what madness is, and whether we are mad and they are sane,
that is a long discussion, but it is certain that it is an ill thing for
the sane to rule the mad, or the mad the sane. And it is known that
there was a light of glory and happiness shining in Andrea's eyes at the
moment of his death such as none of us will ever show when we look into
the mouth of the pit: and it may be his life was well worth while, to
attain that moment.
* * * * *
However, this strange incident and the very detonation of the statue's
fall, seemed only to incite the fury of the mob. With a blind rush they
surrounded Norman's little company, thereby cutting them off hopelessly
from the thirty or forty Palace Guards who were passionately struggling
to the rescue. Had the crowd been properly armed, Norman and his
friends would have been annihilated at once: but fortunately only a few
of the populace had revolvers and the rest, equipped only with mattocks
and stones, took good care to keep out of range of the swords of the
guardsmen, and dreaded still more than those circling swords the
unpleasantly quick and accurate automatic pistols with which the Palace
fought. Moreover, Norman's band had gained great heart from the gallant
behaviour of the little wizened Cassolis and four other members of the
Advancement Association who, not being known participants of the
conspiracy, pushed their way through the seething masses to the King's
side, and on their arrival suddenly whipped out their revolvers and
fired point plank at the assailants.[1]
But the respite was a short one; the multitude seemed to swell above
them like a monstrous wave. Stones wrenched from the cobbled ground
hailed round the devoted band, stray bullets pinged and splashed on the
pedestal of the fallen statue against which, above the very body of
Andrea, they had set their backs for a last stand. At all events they
were, in the old phrase, selling their lives dearly. Of the bodies that
lay around them they constructed a bleeding and quivering rampart, on
the summit of which one of the guards, wounded to death, heroically laid
himself to die.
It was now that Vorza, with that popular heroine Peronella at his side,
rallied his forces for a vigorous onset, and the reactionary statesman,
espying the swarthy head of Sforelli towering over the fight, screamed
out in a passion, "Cut down that cowardly Jew!"
Public-domain text, read in full here on John Shaqi.
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