The King of Schnorrers: Grotesques and FantasiesZangwill, Israel
General
The King of Schnorrers: Grotesques and Fantasies
Zangwill, Israel
Humorous stories; Jewish fiction; Jews -- England -- Fiction; London (England) -- Fiction
I stood staring a moment at the spot where he had stood, pleased at
having out-manoeuvred him; then my chair gave way with another
crash, and I picked myself up painfully, together with the dead stump
of my cigar, and brushed the ash off my trousers, and rubbed my eyes
and wondered if I had been dreaming. But no! when I ran into the
cheerless dining-room, with its pervading sense of imminent auction, I
found the sliding panel behind the portrait by Reynolds, which seemed
to beam kindly encouragement upon me, and, lo! _The Learned Pig_ was
there in a mass of musty manuscript.
As everybody knows, the book made a hit. The _Acadæum_ was unusually
generous in its praise: "A lively picture of the century of
farthingales and stomachers, marred only by numerous anachronisms and
that stilted air of faked-up archæological knowledge which is, we
suppose, inevitable in historical novels. The conversations are
particularly artificial. Still, we can forgive Mr. Halliwell a good
deal of inaccuracy and inacquaintance with the period, in view of the
graphic picture of the literary dictator from the novel point of view
of a contemporary who was not among the worshippers. It is curious
how the honest, sterling character of the man is brought out all the
more clearly from the incapacity of the narrator to comprehend its
greatness--to show this was a task that called for no little skill and
subtlety. If it were only for this one ingenious idea, Mr. Halliwell's
book would stand out from the mass of abortive attempts to resuscitate
the past. He has failed to picture the times, but he has done what is
better--he has given us human beings who are alive, instead of the
futile shadows that flit through the Walhalla of the average
historical novel."
All the leading critics were at one as to the cleverness with which
the great soul of Dr. Johnson was made to stand out on the background
of detraction, and the public was universally agreed that this was the
only readable historical novel published for many years, and that the
anachronisms didn't matter a pin. I don't know what I had done to Tom
Addlestone; but when everybody was talking about me, he went about
saying that I kept a ghost. I was annoyed, for I did not keep one in
any sense, and I openly defied the world to produce him. Why, I never
saw him again myself--I believe he was too disgusted with the fillip
he had given Dr. Johnson's reputation, and did not even take advantage
of the Christmas Bank Holiday. But Addlestone's libel got to Jenny
Grant's ears, and she came to me indignantly, and said: "I won't have
it. You must either give up me or the ghost."
"To give up you would be to give up the ghost, darling," I answered
soothingly. "But you, and you alone, have a right to the truth. It is
not my ghost at all, it is my great-grandfather's."
"Do you mean to say he bequeathed him to you?"
"It came to that."
Public-domain text, read in full here on John Shaqi.
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