Great Britain -- History -- Henry VIII, 1509-1547 -- Fiction
There were all the precious things laid out; the crow’s quills sharpened
to an almost invisible point for the finer lines, the two sets of
pencils, one of silver-point that left a faint grey line, and the other
of haematite for the burnishing of the gold, the badger and minever
brushes, the sponge and pumice-stone for erasures; the horns for black
and red ink lay with the scissors and rulers on the little upper shelf
of his desk. There were the pigments also there, which he had learnt to
grind and prepare, the crushed lapis lazuli first calcined by heat
according to the modern degenerate practice, with the cheap German blue
beside it, and the indigo beyond; the prasinum; the vermilion and red
lead ready mixed, and the rubrica beside it; the yellow orpiment, and,
most important of all, the white pigments, powdered chalk and egg
shells, lying by the biacca. In a separate compartment covered carefully
from chance draughts or dust lay the precious gold leaf, and a little
vessel of the inferior fluid gold used for narrow lines.
* * * * *
His first business was to rule the thick red lines down the side of the
text, using a special metal pen for it; and then to begin to sketch in
his initials and decorations. For this latter part of the work he had
decided to follow the lines of Foucquet from a Book of the Hours that he
had taken out of its aumbry; a mass of delicate foliage and leaves, with
medallions set in it united by twisted thorn-branches twining upwards
through the broad border. These medallions on the first sheet he
purposed to fill with miniatures of the famous relics kept at Lewes, the
hanging sleeve of the Blessed Virgin in its crystal case, the
drinking-cup of Cana, the rod of Moses, and the Magdalene’s box of
ointment. In the later pages which would be less elaborate he would
introduce the other relics, and allow his humour free play in designing
for the scrolls at the foot tiny portraits of his brethren; the Prior
should be in a mitre and have the legs and tail of a lion, the
novice-master, with a fox’s brush emerging from his flying cowl, should
be running from a hound who carried a discipline in his near paw. But
there was time yet to think of these things; it would be weeks before
that page could be reached, and meanwhile there was the foliage to be
done, and the rose leaf that lay on his desk to be copied minutely from
a hundred angles.
* * * * *
Public-domain text, read in full here on John Shaqi.
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