The King's HighwayJames, G. P. R. (George Payne Rainsford)
History
The King's Highway
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- William and Mary, 1689-1702 -- Fiction
Their conversation then turned to love, and to their feelings towards
each other. How could it be helped? And Wilton told her all; how the
passion had grown upon him, how he had struggled hard against it, how
not even despair itself had been able to crush it; how it had gone on
and increased in spite of himself; how intense, how ardent it had
become. He could not tell her exactly, at least he would not, what he
had felt on her account, when he believed that she was likely to
become the bride of Lord Sherbrooke; but he told her fully, ay, and
eloquently, what agony of mind he had endured when he thought of
seeing her give her hand to any other man, without affording him an
apparent chance of even making an effort for himself. In short, he
gave her the whole picture of his personal feelings; and there is no
woman that is not gratified at seeing such a picture displayed, when
she is herself the object. But to a mind such as that of Lady
Laura, and to feelings such as were in her bosom, the tale offered
higher and nobler sources of delight. The love, the deep love, which
she felt, and which was now acknowledged to her own heart, required
every such assurance of full and ample return as his words afforded,
to render it confident and happy. But from the display of his
feelings which he now made, she felt, she saw, she knew that she was
loved as she could wish to be--loved as fully, as intensely, as
deeply, as she herself loved--loved with all those feelings, high,
and bright, and sweet, which assured her beyond all question that the
affection which she had inspired would be permanent as well as
ardent.
Wilton won her, too, to speak upon the same subject as himself,
though, of course, he could not expect her to dwell upon what she
felt in the same manner. There was a great difference: on the one
hand, all the sensations of his heart towards her were boldly avowed
and minutely detailed; the history of his love was told in language
straightforward, eager, and powerful. The love of her bosom, on the
contrary, was shadowed forth rather than spoken, admitted rather than
told, her feelings were referred to, but not depicted.
Public-domain text, read in full here on John Shaqi.
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