The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
The whole street, with its rows of gilded cages was a gleaming vista of
_tableaux-vivants_, drenched in prismatic hues. Each, Barbara noted, had
its uniform scheme of costume: one showed the sweeping lines and deep,
flowing sleeves of the pre-_Meiji_ era; another the high, garnet skirt
of the modern school-girl; in one the _kimono_ were of rich mauve,
shading at the bottom to pale pink set with languorous red peonies; in
another, of gray crepe figured with craggy pine-trees; in a third, of
scarlet and blue, woven with gold thread and embroidered in peacock
feathers. Before each inmate's cushion sat a tiny brass _hibachi_, or
fire-bowl, in whose ashes glowed a live coal for the lighting of pipes
and cigarettes, and a miniature toilet-table, like a doll's-cabinet,
topped by a small, round mirror. From tiny compartments now and then one
would draw a little box of rouge, a powder-puff of down, or an ivory
spicula, with which, in complete indifference to observation, she would
heighten the vivid red of a lip, or smooth a refractory hair. The
background against which they posed was of heavy and exquisitely
intricate gold-lacquer carvings of stork, dragon and phoenix, of
cunningly disposed mirrors, or of draped crimson and silver weaves.
Before the bars men paused to chat a moment and pass on: behind them the
gorgeous robes and tinted faces flitted hither and thither with a magpie
chatter, with glimpses of ringed fingers clutching the lattice, and of
naked feet, slim and brown against the flooring.
Barbara watched curiously. She was no longer conscious that passing men
studied her furtively--that here and there, through the slender bars, a
delicate hand waved daringly to her. In all the fairy-like gorgeousness
she felt a subtle sense of repugnance that kept her feet in the middle
of the pavement. She noted now that, however the costumes varied, they
agreed in one particular: the _obi_ of each inmate was tied, not at the
back, but in front. It seemed a kind of badge. Somewhere she had read
what it stood for. What was it?
A group of men passed her at the moment--foreigners, speaking an
unfamiliar tongue. They talked loudly and pointed with their sticks. One
of them observed her, and turning, said something to his companions.
They looked back. One of them laughed coarsely.
At the sound, which echoed a patent vulgarity in the allusion, the blood
flew to her cheeks. The tone had told her in a flash what the palisades,
the barred inclosures, the gaudy finery and reversed _obi_ had failed to
suggest. A veil was wound about her hat and with nervous haste she drew
down its folds over her face, feeling suddenly sick and hot. Driven now
by an overpowering desire to find her way out, she doubled desperately
back to the wider street.
"Madame!"
She turned, with relief this time, to see "Mr. Y. Nakajima," the guide,
of the gold fillings and silver-topped cane.
"You are lost," he said. "Come with me, and I will find you."
Public-domain text, read in full here on John Shaqi.
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