The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
He slid open a _shikiri_. It showed a room, evidently unused, littered
with tools, a dusty table with models of curious wing-like propellers, a
small electric dynamo and a steel-lathe. He opened another, and stood
looking at the room it disclosed with a faint smile. It was scrupulously
clean and orderly, and, in contrast to the outer apartment, had an
atmosphere of delicate refinement. On the wall hung a tiny gilt image of
Kwan-on and below it on an improvised shelf an incense rod was burning
with a clean, pungent odor. At one side was suspended a mosquito-bar of
dark green gauze, and across a low stool was laid a _kimono_, with
silver camelias on a mauve ground. He picked this up and looked at it
curiously, half conscious of a faint perfume that clung to it.
He shut his teeth. The camelia had always been Barbara's favorite
flower!
* * * * *
Meanwhile the girl thus incongruously in his thought had felt a
gray shadow across her sunshine. She found her uncle greatly
perplexed and troubled. Haru's Bible, found on the Chapel doorstep,
had been brought to him that morning. He had sent at once to the
Street-of-Prayer-to-the-Gods and the messenger had returned with news of
her disappearance. The fact that she had taken clothing with her showed
that the flight was a deliberate one.
It pained him to think what the return of the book and the little cross
might mean. In his long residence in Japan the bishop had grown
accustomed to strange _dénouements_, to flashing revelations of subtle
deeps in oriental character. But save for one instance of many years
ago--which the sight of Barbara must always recall to him--he had never
been more saddened than by to-day's disclosure. What he told her had
left Barbara with an uneasy apprehension. She drove away pondering. The
anxious speculation blurred the glamour of the afternoon.
The homeward course took her through Aoyama, by unfrequented streets of
pleasant, suburban-like gardens and small houses with roofs of fluted
tile as softly gray as silk. Here and there a bean-curd peddler droned
his cry of "_To-o-fu! To-o-fu-u!_" and under a spreading _kiri_ tree a
blind beggar squatted, playing a flute through his nostrils, while his
wife, also blind and with a beady-eyed baby strapped to her back,
twanged a _samisen_ beside him. In the road groups of little girls were
playing games with much clapping of hands and shouting in shrill voices.
In one of the cross-streets a dozen coolies strode, carrying flaming
white banners painted in red idiographs. The last bore a huge
_papier-maché_ bottle--an advertisement of a popular brand of beer. A
brass band of four pieces, discoursing hideously tuneless sounds, led
them, and between band and banners stalked a grotesquely clad figure on
stilts ten feet tall, the shafts pantalooned so that his legs seemed to
have been drawn out like India-rubber. The spidery pedestrian was
followed by a score of staring children of all ages and sizes.
Public-domain text, read in full here on John Shaqi.
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