The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
All that day he had worked with a delicious exhilaration rioting in his
pulses. He had not seen Barbara, but her face had seemed always before
him--quiveringly passionate as he had seen it in Ben-ten's cave, hazed
with daring softness as it had turned to his on the steps of the railway
carriage. There had been moments when some aroma of the spring air made
him catch his breath, mindful of the crisp, sweet scent of her hair or
the maddening fragrance of her lips. He thought of "Big" Murray and his
letter, at which he had bridled--how long ago? He understood now what
the complacent old pirate had been talking about! He would have an
epistle to write him to-morrow in return! To-night he was to see her! In
fancy he could feel her slim hand on his sleeve as they danced--could
see himself sitting with her in some dusky alcove sweet with
plum-blossoms--could hear her say ...
A hoarse warning from a _betto_ and he sprang aside for a carriage that
dashed past through the gateway. He shook himself with a laugh and
walked on through the shrubbery. By day it was a place of mossy shadows,
of shrubberied red-lacquer bridges and glimmering cascades; now its
polished dwarf-pines and twisted cypresses gleamed with red paper
lanterns that hung like goblin fruit and quivered, monster misshapen
gold-fish, in the miniature lake. Along the drives stood policemen,
wearing white trousers and gloves. Each held a paper lantern painted
with the Minister's _mon_ or family crest. Farther on carriages became
thicker, till the approach was a crawling stream of gleaming black
enamel, sweating horses, crackling whips, and shouting _bettos_. Daunt
picked his way among these to where a wide swath of electric light
beneath the porte-cochère struck into high relief a strip of scarlet
carpet.
The interior was dressed with that marvelous attention to minutiæ and
artistic _ensemble_ that is characteristically Japanese. The great hall
was brilliant _opera bouffe_: a mingling crowd of gold-braided uniforms
crossed by colored cordons and flashing with decorations, white necks
and shoulders rising from dainty French gowns, gleaming lights, Japanese
men in European costume, languorous black eyes under shining Japanese
head-dresses, and silken _kimono_ woven in tints as soft as dreams. In
the large central room opposite was hung a painting of the Emperor.
Japanese who passed it did so reverently. They did not turn their backs.
Some of the older ones bowed low before it and withdrew backward.
Through a doorway came glimpses of couples on a polished floor swaying
to music that swelled and ebbed unceasingly, and down a long vista a
pink dazzle of cherry-blooms under a cloth roof. Over all was the exotic
perfume of flowers.
Public-domain text, read in full here on John Shaqi.
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