The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
When the threshing commences, the services of the ever useful buffalo
are once more demanded. A threshing floor is first prepared. A piece
of ground is cleared, and then covered with a plaster made of soil,
cow-dung, and water. After a few days this pasty mixture sets into a
hard, firm coating. A tall, straight bamboo is erected in the centre
of the floor, and a few good heads of rice are fastened at the top
for the birds to eat. A roughly carved figure of a man, jokingly
christened "the grandfather," is added by way of decoration. Two
buffaloes are used, which are yoked side by side. The inner one is
loosely fastened on the inside to the central pole, and on the outside
to his fellow-worker, while both are guided by a half-naked man or
boy, who runs round and round behind the animals, holding on to the
tail of the outer one. The threshing takes place on moonlight nights,
and rarely does the moon shine on a more interesting or curious
scene. The buffaloes pace on in their monotonous round, regardless of
their screaming driver or of his vigorous jerking of their hindmost
appendages. In the heaps of straw tumble all the merry, laughing
urchins of the neighbourhood. The air resounds with the sounds of
music, fiddles and tom-toms, dulcimers and drums. Joke and song pass
from mouth to mouth. Here glows the red end of a cigarette; there a
shiny brown back glistens in the moonlight. The large meek eyes of
the animals stare through the gloom. Cocoa-nut oil lanterns vie with
the ruddy flames of the fitful bonfires in lending more light to the
scene, but rarely do more than tinge their own dark smoke a tawny hue.
Fire-flies light up the deep shadows under the long drooping leaves of
the palms, or mirror their own pale light in the bits of shiny straw
that flutter in the evening breeze. Through all these varied shades
of semi-darkness come laughter and song, the cry of the driver, the
creaking of the pole, the firm, steady footfall of the patient beasts,
the chirping of crickets, the croaking of frogs, and a million other
sounds that tell of life and motion in the late hours of a tropical
night.
[Illustration: PLOUGHING A RICE-FIELD.]
Public-domain text, read in full here on John Shaqi.
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