The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
pedestal of marble under a canopy fashioned in imitation of a lotus
leaf. The lotus leaf is the Buddhist lily, even as the Bo-tree is
the Buddhist cross, and the forms of both these plant structures
appear again and again in temple decorations. The lotus is especially
noticeable in the lotus-shaped capitals of the huge teak pillars that
support the roofs and colonnades of the holy "bote."
The courtyard which contains all these vari-coloured and fantastic
shrines and images, is paved with slabs of white stone and marble,
which reflect the heat and light of the sun with oppressive intensity.
Other creations in marble, bronze, stone, and wood, set with the same
mosaics of cheap china and common glass, and representing Europeans,
fishes, dolphins, and fabulous monsters are scattered profusely but
irregularly amongst the larger and more conspicuous monuments. The
roofs are covered with coloured tiles. There is a central rectangle in
orange, yellow or red, with its edges set parallel to the roof, while
round it run several borders in red, blue, and green. Owing to the
height of the buildings these coloured roofs are always so far removed
from the eye of the spectator that they never lose their artistic
appearance. The gables are of wood or metal, and curve upwards at the
ends into a peculiar ornament, which is so common in civil as well as
religious architecture as to cause much speculation as to its meaning.
It has been described as being symbolical of many things, but it most
probably represents the head of the Naga or king of snakes. Round the
edges of the roofs of several of the constituent buildings of this
royal "wat," are hung many small sweetly toned bells, whose silvery
voices may be heard in the farthest corners of the enclosure as they
swing to and fro with every gentle breeze. The windows and doors
are deeply sunk in the extremely thick walls. They are covered with
black lacquer and look as though they were made of ebony. Designs in
mother-of-pearl have been worked into the lacquer, while the hinges
and fastenings of the separate shutters have been richly gilt.
[Illustration: TEMPLE BELL-TOWER.
_Page 285._]
Public-domain text, read in full here on John Shaqi.
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