The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
All the merit-makers before indulging in the fun of the fair, first
buy a bit of gold-leaf, a few wax flowers, or a tiny candle, then
mount the steep and broken steps, kneel in front of the shrine, stick
their gold-leaf on the iron railings, light their candles and fix
them on iron spikes, and throw their waxen blossoms into a blazing
bonfire. The visitor to the summit looks down upon a ring of twinkling
lights, beyond which lies the deep darkness. The air is full of many
sounds. A native band discourses native airs with customary vigour in
front of the shrine itself; a military band plays operatic selections
in a band-stand half way up the hill; and the devotees bang the big
deep-toned bells with more force than is demanded by purely religious
feeling. Up from the crowd below comes the roar of hundreds of
human voices, the cries of the cheap jacks and lottery owners, and
the shouts of the men with the shows, all telling of the animation
and excitement that exists amongst the dark-looking figures that
ever move, but never leave a vacant spot in the brilliant torch-lit
avenues and passages. The priests sit in long pavilions, their yellow
robes and shaven heads set off by the red and white draperies of
their temporary resting-places. They drink tea and chew betel-nut
incessantly, chatter and laugh with animation, and evidently enjoy the
fun quite as much as any of their lay brethren who have come to the
place for the double purpose of making merry and making merit.
Another temple, Wat Samplum, boasts a copy of Buddha's famous
footprint, which is also worshipped amidst much jollity for three
days each year. This footprint is sunk in the centre of the floor of
a small spire-crowned room on the top of a low artificial hillock. It
has no toes and also no heel. It is shaped like an infant's bath, and
is about three feet long, two feet wide, and eighteen inches deep,
and has been cut or moulded with strict mathematical regularity. It
passes the wit of any European to imagine by what process of logical
or illogical reasoning any person could bring himself to look upon
this curious object as having the slightest resemblance to a human
footprint. The usual fair accompanies the worship, and the believers
have no sooner plastered their bit of gold-leaf on the sides or sole
of the footprint than they descend the little elevation to take their
part in the fun that rages fast and furiously at the bottom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account