The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
His strong expressions of disfavour and disgust have had the desired
effect, and the story is now recited in a decent and becoming manner.
The poem, as now recited, contains thirteen cantos and one thousand
stanzas, and was written by one of the Siamese kings. It had been
prophesied that the holy Buddhist scriptures would ultimately all be
lost, and that the Vessantara Jataka, being the most valuable, would
be the first to disappear. When the scriptures have all been lost,
and man has forgotten the meaning of righteousness, a new Buddha will
be born upon earth to teach once more the principles of morality and
truth. The "Pious" king who reigned in Siam from 1602 to 1628, is
known as a priest celebrated alike for his piety and his learning, and
as a king famous for his justice and mercy. He left the temple for
the throne, but resigned in favour of his nephew and again returned
to the seclusion of the hermit's cell. The prophecy as to the loss of
the Jataka deeply affected him, and in order to prevent so great a
calamity befalling his people he decided to write it in the form of
a poem that it might be handed down from generation to generation.
This poem is the gem of Siamese classics, a model of literary style
and treatment. King "Pious" was the first of the royal poets of Siam,
but since his day it has been the fashion for the sovereign to write
poetical compositions. Both the present king and his father are well
known in the country as poets and scholars. The late king was probably
the greatest scholar Siam ever had, so that he enjoyed a double
distinction never possessed by any of the monarchs of more civilised
lands.
And now for the old king's rendering of the Vessantara Jataka.
Public-domain text, read in full here on John Shaqi.
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