The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
On the hill, and round about it, there are many temple-like buildings
and houses for the attendant priests. Salas, rooms for preaching,
halls filled with hundreds of idols, and huts made of bamboo for the
use of the pilgrims abound at the base of the hill, and testify to
the large number of worshippers who annually frequent the place. On
trees and temples, on shrines and shanties, are hung innumerable
bells, which when light are swung by every breeze, and when heavy
are banged by the worshippers. A native band performs hour by hour,
and endeavours, unsuccessfully, to drown the clear sweet melody of
the bells in its harsh discord of gongs and drums. The mountain is
dotted all over with the usual white spire-crowned pagodas, and, over
the footprint, a particularly beautiful shrine has been erected. Its
roof is built in seven stories which overlap each other, and upon
the summit rests a very tall prachadee with a snow-white spire and
a richly gilded base, which indicates with dazzling brilliancy, the
whole day through, the exact locality of the sacred spot. The whole
structure is placed on a small projecting platform in the rock, and
the ascent is made by a series of about fifty or sixty steps cut in
the solid rock. Up these steps all truly devout Buddhists crawl on
their hands and knees, and as the result of the visits to the shrine
of thousands of worshippers who year by year have come to bow before
the footprint of their ancient teacher, the steps are distinctly worn
and polished.
The external walls of the building are covered with brightly coloured
mosaics; the outer surfaces of the heavy doors and windows are
beautifully inlaid with mother-of-pearl, and the whole of the interior
is decorated with a series of perspectiveless frescoes, illustrating
various scenes from the life of Buddha. The platform of rock is
about thirty feet square; and inside the building the floor is laid
with plates of solid silver covered over with a carpet of pure silver
net-work, which is polished intensely bright by the knees of the
devotees. Two copies of the sacred footprint are hung on the walls.
Both are made of pure gold, and one of them has all the mystic symbols
inlaid with precious stones. The footprint itself is about four feet
long and one foot and a half broad, and both in size and shape bears
no resemblance whatever to the footprint of anything either human
or divine. It is in a dark hole, and cannot be distinctly seen. The
golden copies on the wall are apparently purely imaginative. Railings
of solid bars of silver enclose the depression in the rock, and render
minute examination perfectly impossible. A gilt canopy with flowing
curtains of cloth of gold is suspended from the roof immediately above
the object of the people's veneration.
Public-domain text, read in full here on John Shaqi.
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