The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
On national holidays an open air play known as "Kra, ooa," or
"spearing the buffalo," is enacted. It is a mixture of dumb show and
grotesque dancing, and is based on an old Burmese story. The legend
relates that once upon a time there was an old woman who had a husband
named Ta So. One night she dreamt that she was enjoying a dish of
buffalo's liver. Her enjoyment of the luxury was so great that she
presently awoke. She was unable to sleep, so she awakened her husband
and told him of her dream, and of the wonderful flavour of the meat.
The more she dwelt upon the delicious character of her phantom repast,
the stronger grew her desire to taste the real article. She urged Ta
So to go out into the jungle and spear a buffalo. He for some time
declined to rise from his couch, alleging that he was a bad hunter
and dared not track so formidable a creature. He attempted to seek
repose once more, but the hungry lady grew more and more importunate,
and he was forced at last to set out on a hunting excursion. His
wife accompanied him to see that he did not shirk the task she had
set him. After a long time they managed to track a wild buffalo.
They skirmished and scouted, and finally succeeded in killing it.
They opened the animal, extracted the desired delicacy, and then
returned home to enjoy it.--The representation of this story has
been repeated times without number, but it never fails to meet with
popular approval. An actor first appears dressed as a Burmese woman.
She next proceeds in very colloquial vernacular to bully her husband
in accordance with the tradition. The buffalo used is a sham one. Four
or five people throw a dark-coloured cloth over themselves, and the
foremost of these holds in his hands a huge mask, supposed to be a
buffalo's head. It would serve equally well for the head of any other
creature known to natural history, for it is unlike anything but the
fabulous creation of some man's mad imaginings. As the husband and
wife chase the ungainly brute, it gambols to the music of a native
band, in a circle about twenty feet in diameter. The dodging and
running, the pretended attack, the sham wounds, and the awful groans
are always received with the same loud bursts of hearty appreciative
laughter.
Public-domain text, read in full here on John Shaqi.
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