But the most expeditious and surest way of procuring a good Sonnet is the Division of Labor System. This has often been unconsciously practised by modern poets, but it has never been explicitly set forth till now. Every body knows that even in the fabrication of so small a thing as a needle, the process is facilitated by dividing it among a number of hands; as to one the eye, to another the point, to one the grinding, to another the polishing. In the same way, to render a sonnet pointed and sharp, to polish it and insure it against cutting the thread of its argument, the work should be performed by two or more. Every sonnet, in short, ought to be a translation. I do not say a translation from the German or any other jargon, but a translation from English--from one man's into another man's English. It is absurd for one workman to do both rhyming and thinking. In this go-ahead age and country, that were a palpable waste of time. Take any 'matter-ful' author, cut out a juicy slice of his thought, and make that your material. Trim it, compress it, turn it and twist it upside down and inside out, vary it any way but the author's own, and you will be likely to effect a speedy and wholesome operation. What a saving of time is here! Who will be silly enough to manufacture his own thinkings into verse when the world is so full of excellent stuff as yet unwrought in the great mine of letters? Let us not burn up our own native forests while we can fetch coals from Newcastle. What a pleasant prospect for readers too! A man may be sure _then_, that a sonnet shall contain a thought. He will not be gulled into experiments upon decent-looking, respectable dross and plausible inanity. He shall not dig hungrily for an idea, and be filled with volumes of wind. With the fourteenth pang his anxiety shall be over, and he shall drop asleep satisfied; _tandem dormitum dimittitur_. Not to anticipate farther our forthcoming book, nor to forestall the critics in any more extracts, we shall lay before the reader two or three samples of work done according to this system. CARLYLE has furnished our raw material. His pages are so full of poetry that little time need be expended in selecting a fit piece for working up. See now if these be not sonnets which BOWLES might have been proud to claim. Each one is warranted to contain a thought; an hour or so would suffice for the completion of half a dozen such. Observe too, that little deviation is necessary from the original, the words falling naturally into both rhythm and rhyme. We commence with a few translations from Carlyle. The initial specimen is taken from Herr TEUFELSDROeCKH'S remarks on BONAPARTE. This is the passage: