The Knickerbocker, or New-York Monthly Magazine, March 1844: Volume 23, Number 3Various
Philosophy
The Knickerbocker, or New-York Monthly Magazine, March 1844: Volume 23, Number 3
Various
Periodicals
reading-room the other day, have haunted our memory ever since:
'There are moments, I think, when the spirit receives
Whole volumes of thought on its unwritten leaves;
When the folds of the heart in a moment unclose,
Like the innermost leaves from the heart of a rose.'
MOORE never conceived a more beautiful simile than this. . . . NUMBER TWO
of the '_Reminiscences of a Dartmoor Prisoner_' will appear in our next
issue. We have received from the writer a very interesting and amusing
manuscript-volume, filled with patriotic poetry, containing vivid pictures
of scenes and events in the daily routine of the prison, as well as
sketches of Melville Island Prison, and reminiscences of striking events
in the lives of sundry of the prisoners, in the progress of the American
war. We shall refer more particularly to this entertaining collection in
an ensuing number. . . . THE Lines on '_Niagara Falls at Night_' are
entirely too terrific for our pages. They are almost as 'love-lily
dreadful' as the great scene itself. 'M.' _must_ 'try again,' that is
quite certain; and we are afraid, _more_ than once. . . . TU DOCES!
Doubtless many of our young readers, especially in the country, have often
pondered over the zig-zag hieroglyphics which covered the tea-chests at
the village-store, and marvelled what 'HOWQUA,' which was inseparable from
these inscriptions, could mean. It was the name of the great Hong
merchant, 'the friend of Americans,' who died recently at Canton, at an
advanced age, leaving his vast wealth to two sons. Here is an elegy
written upon his death by his brother-merchant TINGQUA, which is now being
sung about Canton to a dolorous air, accompanied by the _yeih-pa_ and the
_tchung_, a curious sort of guitar and harp in common use. The elegy
comprises a little outline, together with hints and allusions, prettily
conveyed, of the principal biographical events of HOWQUA'S career, and is
entitled
TINGQUA'S TEARS.
I weep for HOWQUA. He was the friend of my youth. We often rose
before day-break, and gazed together at the soft blue clouds round
the retiring moon.
At that time I smiled on HOWQUA. We both grew old together. We
often went to the tombs of our fathers, side by side, and thought
tenderly of the loving dead.
Weep friends of the Hong. All friends at home (literally
_Celestial_ friends,) and all natives of outside countries weep;
weep excessively. For HOWQUA is no more.
HOWQUA was a fixed man. He had reason. Loving old laws, old
customs, and all things long since established as wise, he
therefore hated change.
HOWQUA was very rich. He had no half-thinkers and third-smokers
(meaning _no partners_,) and no branch-breakers to his universal
tea-dealings.
Also he had lands for rice and pasture, and to play at ball, and
villas, and ponds of fish, and fifteen field-bridges of carved
wood gilt, and seven domestic bridges inlaid with ivory birds and
dragons.
Public-domain text, read in full here on John Shaqi.
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