The Knickerbocker, Vol. 10, No. 1, July 1837Various
History
The Knickerbocker, Vol. 10, No. 1, July 1837
Various
Periodicals
their tongues, their quiet houses were invaded, and resisting
or unresisting, they all fell together beneath the murderous
knives of the savage foe. What shrieks then rent and filled
the air--what prayers of agony went up to the gods for life to
those whose ears on mercy's side were adders'--what piercing
supplications that life might be taken and honor spared. The
apartments of the rich and the noble presented the most
harrowing spectacles, where the inmates, delicately nurtured
and knowing of danger, evil, and wrong only by name and report,
had first endured all that nature most abhors, and then
there where their souls had died, were slain by their brutal
violators with every circumstance of most demoniac cruelty.
Happy for those who, like Gracchus, foresaw the tempest and
fled. These calamities have fallen chiefly upon the adherents
of Antiochus; but among them, alas! were some of the noblest
and most honored families of the capital. Their bodies now lie
blackened and bloated upon their door-stones--their own halls
have become their tombs."
The next letter is from Piso, at Rome, to Fausta, at Palmyra,
descriptive of Aurelian's triumphant entry into Rome. We cannot
resist the inclination to place this magnificent picture before our
readers:
"The sun of Italy never poured a flood of more golden light
upon the great capital and its surrounding plains than on the
day of Aurelian's triumph. The airs of Palmyra were never more
soft. The whole city was early abroad, and added to our own
overgrown population, there were the inhabitants of all the
neighboring towns and cities, and strangers from all parts of
the empire, so that it was with difficulty and labor only,
and no little danger too, that the spectacle could be seen. I
obtained a position opposite the capitol, from which I could
observe the whole of this proud display of the power and
greatness of Rome.
Public-domain text, read in full here on John Shaqi.
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