The Knickerbocker, Vol. 10, No. 4, October 1837Various
History
The Knickerbocker, Vol. 10, No. 4, October 1837
Various
Periodicals
The character of _Bianca Visconti_ is drawn with marked power. She
is truly a fond, doting, enthusiastic lover; a woman who devotes
her present and eternal peace to love, and breaks her heart in the
unrequited sacrifice. Hers is an enthusiasm which all must admire,
and still regret, in pity. _Sforza_ is a bold, not heartless, but
ambitious hero. His love for Bianca is concealed beneath the grand
passion of his soul. It is shut out for a time, only to burst forth
at last with dazzling but hopeless splendor. The quaint _Pasquali_,
the courtly poet and the philosophic lover, is a creation worthy
the pen of a KNOWLES. He is to this tragedy what _Fathom_ is to
the 'Hunchback;' a bright gleam of sunshine ever and anon breaking
through the darkness of the rising storm, in striking contrast to the
gloom of the gathering clouds. His admirer, _Fiametta_, although not
an apt scholar in the mazes of poetry and philosophy, is, like the
_Audrey_ of 'As You Like it,' most willing to learn, and ambitious to
share in the laurelled honors of her sage teacher.
As a literary composition, 'Bianca Visconti' abounds with beauties.
The images are clear, and radiant with poetical and delicate
imaginings; and there are occasionally those fine bursts of feeling,
which seem to come fresh from the soul, and to raise up a kindred
sentiment, with their spirit-stirring words, in the souls of all who
listen. What, for example, can be more like the picture of the bright
thoughts of a young, enthusiastic girl, than Bianca's rapturous
anticipation of a life of love:
'Oh, I'll build
A home upon some green and flowery isle
In the lone lakes, where we will use our empire
Only to keep away the gazing world.
The purple mountains and the glassy waters
Shall make a hush'd pavilion with the sky,
And we two in its midst will live alone,
Counting the hours by stars and waking birds,
And jealous but of sleep!'
Or what more glorious to the fancy that would clothe the delicacy of
the female character in the gorgeous robes of heroic majesty, than
Sforza's description of the fair Giovanna:
'Gods! what a light enveloped her! She left
Little to shine in history; but her beauty
Was of that order, that the universe
Seemed governed by her motion. Men look'd on her
As if her next step would arrest the world;
And as the sea-bird seems to rule the wave
He rides so buoyantly, all things around her--
The glittering army, the spread gonfalon,
The pomp, the music, the bright sun in heaven--
Seemed glorious by her leave!'
Bianca's picture of the two Sforzas, though often quoted, is too
beautiful and striking to be here omitted:
Public-domain text, read in full here on John Shaqi.
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