The Knickerbocker, Vol. 10, No. 5, November 1837Various
History
The Knickerbocker, Vol. 10, No. 5, November 1837
Various
Periodicals
foreign upstarts from those fair abodes, where once thine ancestors
held sovereign empire!' Now we have it from the best authority, that
while these melting sentences were not yet dry upon the paper before
the historian, his pestilent landlady bustled into his apartment, and
after an uneasy stay of a minute or two, began to indulge in oblique
allusions to 'her little bill' for board, and finally observed, that
'she thought it high time somebody had a sight of somebody's money!'
It is at the moment of this inopportune dun, that our sketch is
taken; and who could look benign under such circumstances? Is our
friend answered?
* * * * *
LITERARY RECORD.
THE QUARTERLIES.--We have before us the last North-American, American
Quarterly, and New-York Reviews, and should be gratified to afford
our readers a taste of their several contents; but the tyranny of
space forbids other than a brief reference to some of their more
prominent papers. The '_New-York_' has an admirable article upon the
writings of JEAN PAUL RICHTER, and a laughable and well-reasoned
satire upon 'Dietetic Charlatanry,' or the 'Modern Ethics of Eating.'
In some of the short critical notices, there is less research, and
more flippancy, or mere _ipse dixit_, than might reasonably have been
expected from such a quarter. The number is a good one, natheless,
although inferior to its predecessor. Miss Martineau's 'Society in
America,' Lockhart's Life of Scott, the Military Academy at West
Point, and the poems of Grenville Mellen, are among the reviews of
the _American Quarterly_, which is a large as well as very able
number. In the _North-American_, that philosopher in petticoats,
Miss Martineau, is most happily served up. The irony is keen but
smooth, and the spirit mild, though unflinching. Gallantry has
nothing to do with such a subject. The 'Palmyra Letters' are reviewed
with discrimination, and high but just praise. Of the existence
of 'Miriam, a Dramatic Poem,' we are here for the first time
informed; but the production can scarcely remain long unknown to the
American public. We may refer more in detail to these able American
periodicals, in a subsequent number.
Public-domain text, read in full here on John Shaqi.
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