The Knickerbocker, Vol. 10, No. 6, December 1837Various
History
The Knickerbocker, Vol. 10, No. 6, December 1837
Various
Periodicals
"How many natural ties are there between even the humblest
scene of labor, and the noblest affections of humanity! In this
view, the employment of mere muscular strength is ennobled.
There is a central point in every man's life, around which
all his toils and cares revolve. It is that spot which is
consecrated by the names of wife, and children, and home. A
secret and almost imperceptible influence from that spot,
which is like no other on earth, steals into the breast of the
virtuous laboring man, and strengthens every weary step of
his toil. Every blow that is struck in the work-shop and the
field, finds an echo in that holy shrine of his affections.
If he who fights to protect his home, rises to the point of
heroic virtue, no less may he who labors, his life long, to
provide for that home. Peace be within those domestic walls,
and prosperity beneath those humble roofs! But should it ever
be otherwise; should the time ever come when the invader's
step approaches to touch those sacred thresholds, I see in the
labors that are taken for them, that wounds will be taken for
them too; I see in every honest workman around me, a hero.
"So material do I deem this point--the true nobility of labor,
I mean--that I would dwell upon it a moment longer, and in a
larger view. Why, then, in the great scale of things, is labor
ordained for us? Easily, had it so pleased the great Ordainer,
might it have been dispensed with. The world itself might have
been a mighty machinery for the production of all that man
wants. The motion of the globe upon its axis might have been
the power, to move that world of machinery. Ten thousand wheels
within wheels might have been at work; ten thousand processes,
more curious and complicated than man can devise, might have
been going forward without man's aid; houses might have risen
like an exhalation,
----'with the sound
Of dulcet symphonies and voices sweet,
Built like a temple.'
Public-domain text, read in full here on John Shaqi.
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