The Knickerbocker, Vol. 22, No. 1, July 1843Various
General
The Knickerbocker, Vol. 22, No. 1, July 1843
Various
Periodicals
do not wonder at his perplexity. His memorandum runs thus upon the
card: 'Are you 'ungry?'--'_Avez vous faim?_' 'Are you angry?--'Etes
vous en colere?' * * * '_Polemics_' is an article catholic and
cogent in spirit and argument, _but_ it is TOO LONG for an essay.
(We wish we could impress upon our didactic correspondents the
necessity of at least _comparative_ brevity!) Rev. THEODORE PARKER,
in the following, has expressed every fact and argument which our
correspondent has expanded over eight letter-sheet pages! Indeed,
himself shall be the judge:
'WHO shall tell us that another age will not smile at
our doctrines, disputes, and unchristian quarrels about
Christianity? Who shall tell us they will not weep at the folly
of all such as fancied Truth shone only in the contracted
nook of their school, or sect, or coterie? Men of other times
may look down equally on the heresy-hunters and men hunted for
heresy, and wonder at both. The men of all ages before us were
quite as confident as we, that their opinion was truth; that
their notion was Christianity, and the whole thereof. The men
who lit the fires of persecution, from the first martyr to
Christian bigotry down to the last-murder of the innocents, had
no doubt their opinion was divine. No doubt an age shall come,
in which ours shall be reckoned a period of darkness, like the
sixth century, when men groped for the wall, but stumbled and
fell, because they trusted a transient notion, not an eternal
truth. But while this change goes on; while one generation of
opinions passes away and another rises up; Christianity itself,
that pure religion, which exists eternal in the constitution of
the soul and the mind of GOD, is always the same.'
'FANCY'S VISION,' says a correspondent, in a running commentary
upon the poetry of our May number, 'is very well done for a Scotch
song; although I think BURNS and others have too well occupied that
field, for foreign imitators to expect to glean much. It seems a
little unnatural for Americans to compose in the Scottish dialect,
however simple and well-adapted to love-lyrics that English-Doric
may be thought. Some Scotticisms, such as 'bonnie,' 'burnie,'
'wimplin,' etc., are very sweet; but others, in my view, such
as 'hame,' 'drap,' etc., are inferior to the English. Perhaps,
however, the writer is a Caledonian.' To be sure she is; and 'that
makes a difference;' yet we do not disagree in the main with our
correspondent. By the by, speaking of Scottish poetry, here is a
specimen of the true thing. It is from the pen of an esteemed friend
and contributor, and has been widely circulated, and as widely
admired, both at home and abroad:
THE WEE VOYAGER.
WRITTEN ON SEEING IN A GLASGOW NEWSPAPER THAT THE CREW OF A VESSEL
DISCOVERED A HARE FLOATING IN THE FRITH OF FORTH UPON A SHEET OF ICE
TO THE OCEAN.
BY JAMES LAWSON.
Public-domain text, read in full here on John Shaqi.
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