The Knickerbocker, Vol. 22, No. 1, July 1843Various
General
The Knickerbocker, Vol. 22, No. 1, July 1843
Various
Periodicals
'Witnessing the sight
Of that dire disaster,
Out began to laugh
Missis, maid, and master.
Such a merry peal,
'Specially Miss Peg's was
(As the glass of ale
Trickling down my legs was)
That the joyful sound
Of that ringing laughter
Echoed in my ears
Many a long day after.
'Such a silver peal!
In the meadows listening.
You who've heard the bells
Ringing to a christening;
You who ever heard
Caradori pretty,
Smiling like an angel
Singing 'Giovinetti,'
Fancy Peggy's laugh,
Sweet and clear and cheerful,
At my pantaloons
With half-a-pint of beer full!'
We repeat, the 'Irish Sketch-Book' is a _capital_ work, and cannot
fail of very general popularity. The author possesses a delicate
appreciation of the beautiful, as well as a lively perception of
the ridiculous; a felicitous combination of faculties, since the
union of fine taste and strong humor seldom takes place in the same
individual.
'MISERIES OF HUMAN LIFE.'--Some twenty-five years ago, a work in
two or three volumes, under this title, was republished in this
city from an English edition. One of these volumes lies before us;
and if it be a fair representative of its companions, an American
publisher would not find it amiss to put forth a new issue of the
book; for it abounds in keen satire, playful wit, and pleasant
humor. We have segregated from its numerous divisions a few passages
for the entertainment of our readers. A good deal of what is
termed 'criticism' upon works of art has lately been expended in
this meridian upon an undiscerning and unheeding public; yet we
propose to add to the amount, by copying the remarks of one Mr.
NED TESTY upon an exhibition of paintings and statuary, similar,
we may suppose, to the annual collections of our 'National Academy
of Design;' similar, certainly, in many of the points touched upon
by the critic. After a consideration of the Landscapes, 'with
their meagre subjects, lying perspective, and timid handling;
their frittered lights, lumpy shadows, indigo skies, and saffron
sands; their forward back-grounds, and backward fore-grounds; with
trees and meadows carefully colored from an emerald, and water of
such an hue and surface, that forgetting for a moment the season
represented, one looks narrowly after the _skaters_!'--after a
discussion of these, _en masse_, we are favored with the subjoined
'hits' at a particular '_Family Piece_:'
Public-domain text, read in full here on John Shaqi.
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