Had Lady Eleanor or Helen been disposed to care for it, they might
have perceived that the dinner itself was not less anomalous than the
company, and like them suffered sorely from being over-dressed. They,
however, affected to eat, and seemed satisfied with everything, resolved
that, having encountered the ordeal, they would go through with it to
the last. The observances of the table had one merit in the Fumbally
household; they were conducted with no unnecessary tediousness. The
courses--if we dare so apply the name to an irregular skirmish of meats,
hot, cold, and _réchauffé_--followed rapidly, the guests ate equally so,
and the table presented a scene, if not of convivial enjoyment, at least
of bustle and animation, that supplied its place. This movement, so to
call it, was sufficiently new to amuse Helen Darcy, who, less pained
than her mother at their companionship, could not help relishing many
of the eccentric features of the scene; everything in the dress, manner,
tone of voice, and bearing of the company presenting such a striking
contrast to all she had been used to. This enjoyment on her part,
although regulated by the strictest good-breeding, was perceived, or
rather suspected, by some of the ladies present, and looks of very
unmistakable anger were darted towards her from the end of the table, so
that both mother and daughter felt the moment a very welcome one when a
regiment of small decanters were set down on the board, and the ladies
rose to withdraw.
If Lady Eleanor had consulted her own ardent wishes, she would at once
have retired to her room, but she had resolved on the whole sacrifice,
and took her place in the drawing-room, determined to follow in every
respect the usages around her. Mrs. Fumbally addressed a few civil words
to her, and then left the room to look after the cares of the household.
The group of seven ladies who remained, formed themselves into a coterie
apart, and producing from sundry bags and baskets little specimens of
female handiwork, began arranging their cottons and worsteds with a most
praiseworthy activity.
While Lady Eleanor sat with folded bands and half-closed lids, sunk in
her own meditations, Helen arose and walked towards a book-shelf, where
some well-thumbed volumes were lying. An odd volume of “Delphine,”
a “Treatise on Domestic Cookery,” and “Moore's Zeluco” were not
attractive, and she sauntered to the piano, on which were scattered
some of the songs from the “Siege of Belgrade,” the then popular piece;
certain comic melodies lay also among them, inscribed with the name of
Lawrence M'Farland, a gentleman whom they had heard addressed several
times during dinner. While Helen turned over the music pages, the eyes
of the others were riveted on her; and when she ran her fingers over the
keys of the cracked old instrument, and burst into an involuntary laugh
at its discordant tones, a burst of unequivocal indignation could no
longer be restrained.
Public-domain text, read in full here on John Shaqi.
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