From one of the windows of the palace a gallery had been constructed, hung with rich crimson tapestry, leading to a long range of seats, cushioned and decked with arras, and guarded by a strong party of gentlemen in the royal livery, with partisans in their hands, and sword and dagger at the belt. At either end of the list was a tent pitched: that at the right of the royal gallery a plain marquee of canvass, of small size, which had apparently seen much service, and been used in real warfare. The curtain which formed the door of this was lowered, so that no part of the interior could be seen from without; but a parti-colored pennon was pitched into the ground beside it, and a shield suspended from the palisades, emblazoned with bearings, which all men knew to be those of Charles Baron de La-Hirè, a renowned soldier in the late Italian wars, and the challenger in the present conflict. The pavilion at the left, or lower end, was of a widely-different kind--of the very largest sort then in use, completely framed of crimson cloth, lined with white silk, festooned and fringed with gold, and all the curtains looped up to display a range of massive tables, covered with snow-white damask, and loaded with two hundred covers of pure silver! Vases of flowers and flasks of crystal were intermixed upon the board with tankards, flagons, and cups and urns of gold, embossed and jewelled; and behind every seat a page was placed, clad in the colors of the counts de Laguy. A silken curtain concealed the entrance of an inner tent, wherein the count awaited the signal that should call him to the lists. Strange and indecent as such an accompaniment would be deemed now-a-days to a solemn, mortal conflict, it was then deemed neither singular nor monstrous; and in this gay pavilion Armand de Laguy, the challenged in the coming duel, had summoned all the nobles of the court to feast with him, after he should have slain--so confident was he of victory--his cousin and accuser, Charles Baron de La-Hirè.