and full, pouting lower lip, of the color of the ripe clove-carnation,
that woos the kiss so irresistibly; with teeth as bright as
mother-of-pearl, and a breath sighing forth sweeter than Indian summer.
Such was the face of Marguerite, the bride of that May morning; nor was
her form inferior to it. Modelled in the fullest and roundest mould
that is consistent with symmetry and grace, her figure was the very
perfection, the beau-ideal of voluptuous, full-blown, yet youthful
womanhood. The broad, falling shoulders; the fully-developed, glowing
bust, swelling into twin hills of panting snow; the round, shapely
arms, bare to the shoulder; the graceful and elastic waist; the rich
curve of the arched hips, and the wavy outlines of her lower limbs,
suggesting, by the rustling folds of her draperies as she walked the
dewy greensward like a queen, the beauty of their unseen symmetry:
these, combined with the exquisite features, the singular expression
uniting, what would appear to be incongruous and contradictory, much
roguish archness, something that was almost sensual in the wreathed
smile, and yet withal the most perfect modesty and innocence,
rendered Marguerite, the May-bride of Castel de Roche d’or, one of
the loveliest, if not the very loveliest creature that ever walked to
church with her affianced lover in that fair land of France.
She wore, like her bridesmaids--who, all pretty girls, were utterly
eclipsed by her radiant beauty--a May-wreath on her head, and a large
bouquet of fresh violets on the bosom of her low-cut white dress, which
was looped up at one side with bunches of narcissus and violets, to
show an under-skirt of pale peach-colored silk, the tints of which
showed faintly through the thin draperies of her tunic; but, unlike
them, she wore a long gauze veil, intertwined with silver threads,
floating down among her luxuriant tresses, below her shapely waist.
Never was there seen in that region a lovelier, a purer, or a happier
bride. Immediately behind the bridesmaids, supported in his turn by
an equal number of tall, sinewy, well-formed youths, dressed in their
best attire, half-agricultural, half-martial, as feudal vassals of
their lord, bound to man-service in the field, came on the stalwart
bridegroom. He was a tall, athletic, well-made man of twenty-nine or
thirty years, erect as a quarter-staff, yet showing in every motion
an elastic pliability and grace, which, although in reality the mere
result of nature, appeared to be the consequence either of innate
gentility or of long usance to the habits of the upper classes.
Public-domain text, read in full here on John Shaqi.
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