When he left home, the viscount de Douarnenez was a slight, slender,
graceful stripling, with a fair, delicate complexion, a profusion of
light hair waving in soft curls over his shoulders, a light, elastic
step, and a frame which, though it showed the promise already of
strength to be attained with maturity, was conspicuous as yet for ease,
and agility, and pliability, rather than for power or robustness.
On his return, he had lost, it is true, no jot of his gracefulness
or ease of demeanor, but he had shot up and expanded into a tall,
broad-shouldered, round-chested, thin-flanked man, with a complexion
burned to the darkest hue of which a European skin is susceptible, and
which perhaps required the aid of the full, soft blue eye to prove it
to be European--with a glance as quick, as penetrating, and at the same
time as calm and steady, as that of the eagle when he gazes undazzled
at the noontide splendor.
His hair had been cut short to wear beneath the casque, which was
still carried by cavaliers, and had grown so much darker, that this
alteration alone would have gone far to defy the recognition of his
friends. He wore a thick, dark mustache on his upper lip, and a large
“royal,” which we should now-a-days call an “imperial,” on his chin.
The whole aspect and expression of face, moreover, was altered,
even in a greater degree than his complexion or his person. All the
quick, sparkling play and mobility of feature, the sharp flash of
rapidly-succeeding sentiments and strong emotions, expressed on the
ingenuous face as soon as they were conceived within the brain--all
these had disappeared completely--disappeared, never to return.
The grave composure of the thoughtful, self-possessed, experienced
soldier, sufficient in himself to meet every emergency, every
alternation of fortune, had succeeded the imaginative, impulsive ardor
of the impetuous, gallant boy.
There was a shadow, too, a heavy shadow of something more than thought;
for it was, in truth, deep, real, heartfelt melancholy, which lent an
added gloom to the cold fixity of eye and lip--which had obliterated
all the gay and gleeful flashes which used, from moment to moment, to
light up the countenance so speaking and so frank in its disclosures.
Yet it would have been difficult to say whether Raoul de St.
Renan--grave, dark, and sorrowful, as he now showed--was not both a
handsomer and more attractive person than he had been in his earlier
days, as the gay and thoughtless viscount de Douarnenez.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account