dames, who had been selected to be near her person, with especial
regard, not to exalted rank alone, or to the distinctive name, which
they bore in common with their royal mistress, but to intellect, and
beauty, and all those accomplishments which, general as they are in
our day, were then at least as highly valued for their rarity, as for
their intrinsic merits. A robe of sable velvet, with the closely-fitted
_corsage_ peculiar to the age in which she lived, a falling ruff from
the fairest looms of Flanders, and the picturesque head-gear which has
ever borne her name, with its double tressure of pearls, and a single
string of the same precious jewels around her neck, completed Mary’s
dress, while rustling trains of many-colored satin, guarded with costly
laces and stomachers studded with gems, bracelets, and carcanets, and
chains of goldsmith’s work, gleamed on the persons of her ladies.
Still the demeanor of the little group was more in accordance to the
simplicity of the mistress than to the splendor of the others. No rigid
etiquette was there; none of that high and haughty ceremonial which,
in the courtly festivals of the rival queen of England, froze up the
feelings even of those trusted few who bore with the caprices, in
seeking for the favors, of Elizabeth. The titles of grace and majesty
were lisped indeed by the lips of the fair damsels, but the character
of their remarks, the polished raillery, the light laugh, and the
freedom of intercourse, were rather those of the younger members of a
family toward an elder sister, than of a court-circle toward a powerful
queen. As the last notes of the song died away, she who was nearest to
Mary’s person whispered in a sportive tone, “Your grace has heard that
lute before--”
“In France, Carmichael,” answered Mary, with a breath so deeply drawn
as almost to resemble a sigh, “in our beautiful France; when, when
shall I look upon that lovely land again.”
While she was yet speaking the music recommenced. A dash of impatience
was mingled with the plaintive sweetness of the strain, and the
words “_pensez à moi_” swept past their ears with all the energy of
disappointed feelings.
“It is the voice--”
“Of the sieur de Chastelar,” interrupted the queen; “we would thank the
gentleman for his minstrelsey. Seyton, _ma mignonne_, hie thee across
yon woodbine-maze, and summon this night-warbler to our presence.”
With an arch smile the lively girl bounded forward, and was for an
instant lost among the foliage of the garden.
“Dost thou remember, Carmichael,” said the queen, whose thoughts had
been reflected by the well-remembered strains--“dost thou remember our
sylvan festivals in the lovely groves of Versailles, with hound and
hawk for noonday pastime, and the lute, the song, and the unfettered
dance upon the green sward, beneath moons unclouded by the hazy gloom
of this dark Scotland’s?”
Public-domain text, read in full here on John Shaqi.
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