A narrow passage was before him, scarcely rendered visible by the
flickering light of a cresset suspended from the ceiling, and
nourished, as it seemed, with spirit, rather than with the richer
food of oil. Uncertain, however, as was the illumination, it served
to show a second door, even more strongly constructed than the first,
fronting the intruder at the distance of some ten paces; while the
wall, perforated with loops for musketry, or more probably, if the
remote antiquity of the building were considered, for arrows, proved
that the hostile intruder had effected but little in forcing his way
through the outward entrance. It would be wrong, in the description
of this difficult passage, to omit the mention of certain orifices, or
slits, extending in length from the floor even to the ceiling of the
side-walls, but not exceeding a single inch in width, as they may tend
perhaps to cast some light upon an invention of the darkest ages of
Scottish history, the reality of which has been considered doubtful by
acute antiquarians. From the upper extremity of these slits protruded
on either side the blades of six enormous swords, which, being placed
alternately, and worked by some concealed machinery, must inevitably
hew to atoms, when once set in motion, any obstacle to their appalling
sway. This was the dreaded swordmill first discovered by the wizard
baron Soulis, and thence invested with superstitious error, which was
needless, at the least, when the actual horrors of the engine were
considered. It is, however, probable, that these gigantic relics of an
earlier age were no longer capable of being rendered available at the
period of which we write; at all events they hung in rusty blackness,
suspended like the sword of Damocles above the head of the intruder,
rendering his position awful, at least, if not in reality insecure.
Notwithstanding the warlike and turbulent character of Scotland during
the reign of Mary, there was nevertheless enough of the uncommon in
the defences of this dark and dangerous entrance to have riveted
the attention of a man less anxiously engaged than was the foreign
cavalier. Apparently undismayed by the wild contrivances around him,
the gallant strode forward to repeat his signal on the inner wicket,
when a broad glare of crimson light, produced by some chemical
preparation, considered in that dark age supernatural, was shot into
his very face from an aperture above, clearly displaying to some
concealed observer the form and features of his visiter.
“Ha!” cried a voice so shrill and grating as to produce a painful
impression on the nerves of the hearer. “Thou art come hither, Sir
Italian; enter, then--enter in the name of Albunazar!--enter, the hour
is propitious, and thou art waited for!”
Public-domain text, read in full here on John Shaqi.
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