And indeed, as he spoke, the single bell of the small chapel began
to chime with the merry notes that proclaim a bridal, and a gay
train of harmless, happy villagers might be seen, as they flocked
along, following the footsteps of the gray-headed Saxon monk, who,
in his frock and cowl, with corded waist and sandalled feet, led the
procession. Six young girls followed close behind him, dressed in
blue skirts and russet jerkins, but crowned with garlands of white
May-flowers, and May-wreaths wound like scarfs across their swelling
bosoms, and hawthorn-branches in their hands, singing the bridal carol
in the old Saxon tongue, in honor of the pride of the village, the
young and lovely Marian. She was indeed the very personification of all
the poet’s dreams of youthful beauty--tall and slender in her figure,
yet exquisitely, voluptuously rounded in every perfect outline, with a
waist of a span’s circumference, wide, sloping shoulders, and a bust
that, for its matchless swell, as it struggled and throbbed with a
thousand soft emotions, threatening to burst from the confinement of
her tight-fitting jacket, would have put to shame the bosom of the
Medicean Venus. Her complexion, wherever the sun had not too warmly
kissed her beauties, was pure as the driven snow; while her large,
bright-blue eyes, red, laughing lip, and the luxuriant flood of sunny,
golden hair, which streamed down in wild, artless ringlets to her
waist, made her a creature for a prince’s, or more, a poet’s adoration.
But neither prince nor poet was the god of that fair girl’s idolatry,
but one of her own class, a Saxon youth, a peasant--nay, a serf--from
his very cradle upward the born thrall of Hugh de Mortemar, lord of
the castle and the hamlet at its foot, named, from its situation in
the depths of Charnwood, Ashby in the Forest. But there was now no
graven collar about the sturdy neck of the young Saxon, telling of
a suffering servitude; no dark shade of gloom in his full, glancing
eye; no sullen doggedness upon his lip: for he was that day, that
glad day, a freeman--a slave no longer--but free, free, by the gift
of his noble master; free as the wild bird that sung so loudly in the
forest; free as the liberal air that bore the carol to his ears. His
frock of forest-green and buskins of the untanned deer-hide set off his
muscular, symmetrical proportions, and his close-curled, short auburn
hair showed a well-turned and shapely head. Behind this gay and happy
pair came several maids and young men, two-and-two; and after these, an
old, gray-headed man, the father of the bride--and leaning on his arm
an aged matron, the widowed mother of the enfranchised bridegroom.
Public-domain text, read in full here on John Shaqi.
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