The Ladies of the White House; Or, in the Home of the Presidents: Being a Complete History of the Social and Domestic Lives of the Presidents from Washington to the Present Time—1789–1881Holloway, Laura C. (Laura Carter)
History
The Ladies of the White House; Or, in the Home of the Presidents: Being a Complete History of the Social and Domestic Lives of the Presidents from Washington to the Present Time—1789–1881
Holloway, Laura C. (Laura Carter)
Presidents -- United States -- Biography; Presidents' spouses -- United States -- Biography
“In the month of May, 1836, my mother left Boston for Virginia,
accompanied by my sister Mary. A final adieu it proved to her daughter,
Mrs. Coolidge—her favorite child, it was generally thought, but we never
felt jealous of her. Our family was, I think, a very united one. On her
journey south, she passed some weeks in Philadelphia on a visit to her
sister-in-law, Mrs. Hackley, the mother of Mrs. Cutts. I was still in
Philadelphia with my little deaf-mute boy, and it was on that occasion
that this precious portrait was secured by my prevailing on her to sit
to Mr. Sully, then considered the best female portrait painter in our
country. Twenty years previously, Mr. Sully had passed some time as a
guest at Monticello, having been employed to make a portrait of my
grandfather for the Military Academy at West Point. Since that time my
mother had changed very much. Mr. Sully had then found her living with
her dear father in that happy home, surrounded by a large, cheerful
family circle unbroken by death. But in the long interval, many of its
members had been taken away, and grief had left its traces not less
plainly stamped upon her face than age. She was thinner and more feeble
than I had ever seen her—it was just six months before her death. I
accompanied her to Mr. Sully’s studio for her first sitting, and as she
took her seat before him she said playfully: ‘Mr. Sully, I shall never
forgive you if you paint me with wrinkles.’ I quickly interposed,—‘Paint
her just as she is, if you please, Mr. Sully: the picture is for me.’ He
said, ‘I shall paint you, Mrs. Randolph, as I remember you twenty years
ago.’ He approved of her dress, particularly a large cape worn by old
ladies, and requested her not to make any change in it. The picture does
represent her twenty years younger than when she sat to him, but it
failed to restore the embonpoint, and especially the expression of
health, and cheerful, even joyous, vivacity, which her countenance then
habitually wore. While she was sitting for her portrait, her youngest
daughter, Septimia, arrived by sea from Pensacola, where she had been
taken by Mr. Trist to pass the winter with some friends, soon after
which my mother pursued her journey to Virginia, accompanied by Mary and
Septimia.
Public-domain text, read in full here on John Shaqi.
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