The Ladies' Paradise: A Realistic NovelZola, Émile
General
The Ladies' Paradise: A Realistic Novel
Zola, Émile
Department stores -- Fiction; Paris (France) -- Fiction; Seduction -- Fiction; Women sales personnel -- Fiction
The idea occurred to her that there was another door upstairs leading
to the bedrooms; but she would have to go right across the shop. She
preferred this, notwithstanding the darkness reigning in the galleries.
Not a gas-jet was burning, there were only a few oil-lamps hung here and
there on the branches of the lustres; and these scattered lights, like
yellow patches, their rays lost in the gloom, resembled the lanterns
hung up in a mine. Big shadows loomed in the air; one could hardly
distinguish the piles of goods, which assumed alarming profiles: fallen
columns, squatting beasts, and lurking thieves. The heavy silence,
broken by distant respirations, increased still more the darkness.
However, she saw where she was. The linen department on her left formed
a dead colour, like the blueiness of houses in the street under a summer
sky; then she wished to cross the hall immediately, but running up
against some piles of printed calico, she thought it safer to follow the
hosiery department, and then the woollen one. There she was frightened
by a loud noise of snoring. It was Joseph, the messenger, sleeping
behind some articles of mourning. She quickly ran into the hall, now
illuminated by the skylight, with a sort of crepuscular light which
made it appear larger, full of a nocturnal church-like terror, with the
immobility of its shelves, and the shadows of its yard-measures which
described reversed crosses. She now fairly ran away. In the mercery and
glove departments she nearly walked over some more messengers, and only
felt safe when she at last found herself on the staircase. But upstairs,
before the ready-made department, she was seized with fear on perceiving
a lantern moving forward, twinkling in the darkness. It was the watch,
two firemen marking their passage on the faces of the indicators. She
stood a moment unable to understand it, watched them passing from
the shawl to the furniture department, then to the under-linen,
terrified by their strange manouvres, by the grinding of the key, and
by the closing of the iron doors which made a murderous noise. When they
approached, she took refuge in the lace department, but a sound of
talking made her hastily depart, and run off to the outer door. She had
recognised Deloche's voice. He slept in his department, on a little iron
bedstead which he set up himself every evening; and he was not asleep
yet, recalling the pleasant hours he had just spent.
“What! it's you, mademoiselle?” said Mouret, whom Denise found before
her on the staircase, a small pocket-candlestick in his hand.
She stammered, and tried to explain that she had come to look for
something. But he was not angry. He looked at her with his paternal, and
at the same time curious, air.
“You had permission to go to the theatre, then?”
“Yes, sir.”
“And have you enjoyed yourself? What theatre did you go to?”
“I have been in the country, sir.”
That made him laugh. Then he asked, laying a certain stress on his
question: “All alone?”
Public-domain text, read in full here on John Shaqi.
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