He had lighted a pipe when Evelyn left him, and with this glowing in
the darkness, he set out, with no definite purpose in his mind, toward
the gypsy encampment down in the hollow by the river. Behind him,
Melbourne Hall stood up as a glittering palace of a wonder-world, its
windows casting out their brilliant jets to make blacker darkness in
the gardens, and many a picture revealed to speak of ancient centuries
and the momentous history of the house. Ahead of him lay the moonlit
park, the giant yews and elms, the matchless oaks, glades and dells,
where from the elves should come unsurpassable avenues and all the
beauty of the forest scene. Gavin walked on, however, oblivious of the
night or its wonders. He had a vague idea that he might learn
something from the rogues and vagabonds who had followed Count Odin to
Melbourne Hall; and, with this idea indicating his path, he came
presently to the thicket beyond which the encampment lay. There a
sound of voices arrested his attention. Plainly, he said, a woman was
speaking; and while the surprise of this discovery was still upon him,
the music of a violin, weird and echoing, began to accompany the
speaker in a song so plaintive that the very spirit of sorrow appeared
to breathe in every note of it.
Gavin listened to the music spell-bound, and yet a little ashamed of
his position. No possible advantage to himself or others would have
induced him to play an eavesdropper's part at Melbourne or elsewhere.
If he lingered in the shadow of the thicket, it was because the music
compelled him and he could not escape its fascinations. When the sound
of the voice died away, he turned about to come at the encampment by
another road; and then he became aware for the first time that he did
not stand there alone. A pair of black eyes, shining like a cat's in
the darkness, looked up at him as it were from his very shoulder.
Returning their gaze, but not without a quickening pulse and some
apprehension of danger, he could, at length, outline the figure of a
man, slim and agile, and yet not without a certain grace to be
perceived even in such a light. That this fellow was one of the
gypsies he had no doubt at all. The clear moonlit night revealed the
oval face, the restless eyes, the long, tapering hands of a Romany.
Gavin remarked the hands particularly, for one of them was thrust into
the bosom of a spotlessly white and clinging shirt--and that hand, he
said, covered the hilt of a gypsy's knife. So it was to be a hazardous
encounter after all. He understood too well that if he moved so much
as a foot, this gypsy would stab him.
"Why do you watch us, sir?"
The English was execrable but the meaning quite plain. Gavin answered
as abruptly:
"I am listening to your music."
The gypsy, utterly lost in his attempts to continue in a tongue of
which he knew so little, stammered for an instant and then asked curtly:
"Do you speak German, sir?"
Public-domain text, read in full here on John Shaqi.
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