Evelyn had a little difficulty in restraining herself from declaring
her identity to the girls; but an incurable love of dramatic effect
came to her aid and, perhaps, the vain desire to be discovered more
worthily by that great man, Mr. Charles Izard. Aware that she was
waiting there as the humblest suppliant for the theatre's favors, she
perceived presently that the iron door between stage and auditorium
stood open; and, slipping through, she entered a stage-box and there
waited in better security. One by one now the "stars" entered the
theatre and took up their positions upon the dimly-lighted stage. A
chatter of conversation arose, amidst which the stage-manager's voice
could be heard in heated argument with a lady whose part had been cut.
All waited for the great man; and when he appeared a hush fell as
though upon a transformation scene in a country pantomime. Lo, he had
come--fresh from a long cigar and a bottle of what he called
"noots"--meaning the excellent wine of Burgundy known as Nints. What
bustle, what activity upon the part of the underlings now! How busy
the principals appear to be! How white in the gloom are the faces of
the girls, who lately spoke of fortune and furs and a furore of
applause!
The new play was also a new entertainment. It appeared to Evelyn to be
a hash-up of drama and ballet, with a comedy scene in each act,
introduced for the sole purpose of exploiting a lady who could imitate
wild animals. That it might succeed in an age which has almost
forgotten the bombastics of the ancient drama, and cares not a straw
what an entertainment may be called so long as it is amusing and
provokes a rhythmical nodding of heads, was very probable. Mr. Izard,
at least, had few doubts about the success of it; and yet he could have
wished it otherwise. "They ask me to elevate the people," he would
remark in confidential moments--"why, sir, the people that want
elevating had better go up in elevators. I'm here to run a theatre,
not a Tower of Babel, and that's so. Just walk round to some of these
fine-mouthed folk and ask them what they will pay down in dollars for
the good of humanity and the British stage. If you can buy a ten-cent
collar with the proceeds of that hat-box, I'll set a stone up to your
memory. No, sir, the world's too tired to think. Give 'em a great
actress and they don't have to think. That's what I'm looking for,
like a man who's dropped a thousand-dollar scarf-pin on the beach at
Atlantic City. Since Etta Romney walked out--but what's the good of
talking about that? When she comes back I'll begin to think about the
people's good health again. Sir, she made the rest of them look like
thirty cents, and that's gospel truth."
Public-domain text, read in full here on John Shaqi.
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