Arthur did not answer at all; but he stood up as though fearing attack
and his hand rested upon the back of the heavy oak chair--one of the
few ornaments of that dismal room. His silence provoked Georges Odin
as no words could have done.
"Let your friend speak," he cried, advancing with stick upraised. "I
will know the truth; my servants shall flog it out of you--do you hear,
I will have you whipped--answer me, who wrote that letter?"
Kenyon said not a word; and now the old man struck at him with his
stick wildly and blindly, in a paroxysm of anger. One heavy blow fell
upon Gavin's shoulder and he stepped back with an oath; but the young
man's temper could not brook the new insult and he flung himself
heavily upon the Chevalier and they fell to the ground together.
"Arthur--for God's sake----" cried Gavin.
"It's all right, Gavin; I won't hurt him, but I must have that stick."
He staggered to his feet, the bludgeon in his hand; but the blind man
did not move. Fearing he knew not what, dreading the sudden apparition
of the gypsies who spied upon their every movement, Gavin snatched a
log from the fire, and, stooping, he held it up that he might look upon
the old man's face.
"He is dead," he said.
Arthur did not speak. The log blazed and crackled and ebbed to
darkness and still the two men did not move. Without, in the
courtyard, not a sound could be heard. The House of Setchevo might
have been a tomb of the living.
But the Englishmen knew that it concealed their hidden enemies and that
the dawn would bring them to the room to avenge the man who had been
their patron and their friend.
CHAPTER XXX
THERE IS NO NEWS OF GAVIN ORD
London, which loves a duchess or even personages of slightly less
degree, when it discovers them in the arena where all the world may
stretch out a finger to touch the noble pedestals, this London liked
the story of the Lady Evelyn and flocked to the Carlton Theatre to see
her and to criticise. The great Charles Izard, who measured all human
greatness by the box-office, did not hesitate to declare that business
to the extent of nineteen hundred pounds a week spoke more eloquently
than any critic ... and he would add triumphantly, "Why, I discovered
her, and she makes the rest of them look like thirty cents." By this
time he implied a general inferiority of other actresses who were not
filling their theatres to the extent of nineteen hundred pounds a week;
and, regardless of the plain fact that mere curiosity had become his
best friend, he continued to declare that he was the greatest and the
wisest of men and that Etta Romney would have been a dismal failure
under other management.
Public-domain text, read in full here on John Shaqi.
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