"Forgive me," he said again. "I came to see your father, but I did not
know that he was the Earl of Melbourne. Will you not sit down, dear
lady? You make me unhappy while you stand."
He touched her hand again and indicated a low chair facing his bed.
Evelyn, whose heart beat quickly, sat without protest. The minutes
were brief; she had so much to tell him.
"You knew my father in Roumania, did you not?" she asked in a tone that
could not hide her curiosity. The Count answered her with a kindly
smile.
"He was my father's friend," he exclaimed, raising himself a little
upon the pillow; "that would be more than twenty years ago. So much
has happened since then, Lady Evelyn. Twenty years in a man's life and
a woman's--ah, if we could recall even a few of them----"
"Even the weeks," she said meaningly, "when we were not ourselves, but
another whom we wish to forget. Our friends can help us to recall
those weeks, Count."
Evelyn had not understood the difficulty of confession until this
moment. Her visit to London had been so entirely of her own planning,
she had locked the dreams of her life so surely in the secret chambers
of her heart, that this man was the first human being with whom she had
shared so much as a single word of them. Secret actions and secret
thoughts alike shame us when we speak of them aloud. Nothing but a
dire dread of discovery would have induced her to face the humiliations
of this avowal had it not been that silence must have meant discovery
and discovery might mean disaster beyond any she could imagine. Count
Odin, a trained man of the world, had perception sufficient to read her
story instantly and to understand its full significance. Here was a
woman who put herself into his power without a single thought of the
consequences. He rejoiced beyond words at the circumstance, but had
the wit to conceal his pleasure when he replied with an apparent
generosity which earned her gratitude:
"Those are the weeks when our friends should be blind, Lady Evelyn. I
am glad that you tell me this. Frankly, I, too, am an artist, and can
understand your father's objection to the theatre. Let us forget that
the most charming Etta Romney has existed. She came from nowhere and
has gone away as she came. We shall be so ungallant that we go to
forget her name and the theatre and all her cleverness. Please to
speak no more of it. I am your servant, and my memory is at your
command. If we have met in London, so shall it be. If we are
strangers when your father is come back, that also I will be ready to
remember. Command my silence or my words as you think for the best."
Public-domain text, read in full here on John Shaqi.
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