He accompanied the words with a gesture which would have made light of
the whole affair--as though to say, "This is a little thing, let us
speak of something more important. The act, however, did not deceive
Evelyn. Her former distrust of this man returned with new force. She
felt instinctively that she must pay a price for his silence; though
she knew not, nor could she imagine, what that price must be. And,
more than this, she rebelled already against the penalties of
deception. The net in whose meshes her daring had caught her was a net
of equivocation which must degrade while it endured.
"It is for my father's sake," she said quietly, believing it at the
moment really to be so. "He knows little of the theatre and dislikes
it in consequence. Of course, Count, I had no intention of remaining
in London. If you have any love for the stage yourself, you will
understand why I went."
"No one so sympathetically, dear lady. You were born an artiste; you
will die one, though you never again shall go upon the stage. Here is
our friend, Dr. Philips, coming with the medicine to make us happy. Is
it that we have met in London or are we to be strangers? Speak and I
obey you, now and always."
"There is no necessity to say anything about it," she exclaimed,
flushing as she stood up. "I do not suppose my father will ask the
question. Your visit to Derbyshire was in his interests, I understand,
Count."
He turned a swift keen glance upon her--far from a pleasant glance.
"I came to ask a question of him, lady. I came that he shall tell me
whether my own father is a free man or a prisoner. He will not answer
that question willingly. But until it is answered, I remain the guest
of your house. Silence, if you please. This also is my secret and
to-day is not the time to speak of it."
He raised a hand warningly and Evelyn turned about to find Dr. Philips
at her side. The little man seemed more amused than ever. His idea
that this was a lover's meeting, brought about by the laborious device
of a bolting horse and a smashed carriage, could not be put aside.
"Doing capitally, I perceive," he remarked in that professional tone of
voice which no human ill, whatever it may be, appears able to modulate
or alter. "Out in a bath-chair to-morrow and steeplechasing the next
day. Well, well, if we could only put youth into our bottles, what
magicians we should be! Now, sir, if I had been in the carriage, the
Lady Evelyn, here, would have been asking herself what she would wear
at the funeral to-morrow. But I am an old man and you are a young one,
and there is nothing like youth in all the world."
"A most excellent sentiment," said the Count, "and one I take to mean
that I may return to London before the end of the week if the Lady
Evelyn will graciously permit me to go."
Dr. Philips looked at both of them and smiled.
"You must speak to the Earl about that," he exclaimed. "Why, there is
his carriage. I must go and break the news to him."
Public-domain text, read in full here on John Shaqi.
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