Adventure stories; Imaginary places -- Fiction; Kings and rulers -- Fiction; London (England) -- Fiction; Love stories
"Well, don't you see?" Molly threw away her cigarette and rose to
her feet. "Surely it's just possible that somehow--by some sort of a
chance--we might be able to make use of this to help us." She
laughed almost hysterically. "Oh, I know it sounds wild and mad, but
what notion have you got that's any better?"
Tony took a couple of paces to the door, and back to where she was
standing.
"By Jove, it's an idea, Molly!" he said slowly. "If we could get you
there without being found out----"
"I have thought of that," she interrupted. "I was thinking of it all
the time I was on the stage." She paused. "Tony--you remember that
song I was singing a couple of years ago--the one in which I used to
dress up as a curate?"
He nodded.
"Well, I've still got the things I wore--the clothes and the wig and
the spectacles--in fact the whole get-up. It was so good that once,
just for a joke, I went out into the street in it. I walked the
whole way down the Strand, and not a soul spotted that there was
anything wrong."
The old gleam of mischievous amusement leaped into Tony's eyes.
"Good Lord, Molly!" he said. "And you propose to take the trip--in
those?"
"Why not?" she demanded. "I can carry it through all right--really
and truly I can. After all there's no reason you couldn't have a
curate on board, is there?"
"None at all," said Tony. "Oh, none at all." He leaned against the
wall and began to laugh, gently and joyously.
Molly faced him with shining eyes. "Then you'll take me?" she
exclaimed.
Again Tony nodded his head. "I'll take you, Molly," he answered, "if
it's only for the sake of seeing Guy's face."
There was another clatter and shuffle of footsteps outside, and the
voice of the call-boy came echoing down the passage.
"Beginners, Act two, please!"
Tony stopped laughing. "How about your work? How about your part
here at the theatre?" he asked.
"Oh, damn the theatre," said Molly simply. "I've got a very good
understudy, and they'll have to put up with her." She glanced again
rapidly at the clock. "Listen, Tony--we've got exactly two minutes,
and then I must start changing. I shall have to have the dresser in,
and we can't talk in front of her. Tell me now--right away--just
what you want me to do."
For a moment Tony reflected rapidly.
"I think the best plan will be for you to motor down with me," he
said. "I can send Guy and Bugg in one car with Jennings, and call
for you at your place with the other. I shan't tell Guy anything
about it until you're safe on board."
"Why?" asked Molly. "Do you think he'll mind?"
"I am sure he will," said Tony cheerfully. "But it will be too late
for him to do anything then unless he tries to throw you into the
sea." He paused. "Can you be ready by nine-thirty sharp?"
Molly nodded. "I won't keep you waiting," she said.
There was a knock at the door, and having been granted permission to
enter, the secretive looking dresser reappeared on the scene.
Public-domain text, read in full here on John Shaqi.
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