Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
“Oh! Mr. Dunham has been talking me over with you, has he? What did
he tell you of me? There is nobody like a true friend for dealing an
underhand blow at one's reputation. Wait till you hear my account of
Dunham! What did he say?”
“He said that was only your way of laughing at yourself.”
“The traitor! What did you say?”
“I don't know that I said anything.”
“You were reserving your opinion for my own hearing?”
“No.”
“Why don't you tell me what you thought? It might be of great use to me.
I'm in earnest, now; I'm serious. Will you tell me?”
“Yes, some time,” said Lydia, who was both amused and mystified at this
persistence.
“When? To-morrow?”
“Oh, that's too soon. When I get to Venice!”
“Ah! That's a subterfuge. You know we shall part in Trieste.”
“I thought,” said Lydia, “you were coming to Venice, too.”
“Oh, yes, but I shouldn't be able to see you there.”
“Why not?”
“Why not? Why, because--” He was near telling the young girl who hung
upon his arm, and walked up and down with him in the moonlight, that in
the wicked Old World towards which they were sailing young people could
not meet save in the sight and hearing of their elders, and that a
confidential analysis of character would be impossible between them
there. The wonder of her being where she was, as she was, returned upon
him with a freshness that it had been losing in the custom of the week
past. “Because you will be so much taken up with your friends,” he said,
lamely. He added quickly, “There's one thing I should like to know, Miss
Blood: did you hear what Mr. Dunham and I were saying, last night, when
we stood in the gangway and kept you from coming up?”
Lydia waited a moment. Then she said, “Yes. I couldn't help hearing it.”
“That's all right. I don't care for your hearing what I said. But--I
hope it wasn't true?”
“I couldn't understand what you meant by it,” she answered, evasively,
but rather faintly.
“Thanks,” said Staniford. “I didn't mean anything. It was merely the
guilty consciousness of a generally disagreeable person.” They walked up
and down many turns without saying anything. She could not have made
any direct protest, and it pleased him that she could not frame any
flourishing generalities. “Yes,” Staniford resumed, “I will try to see
you as I pass through Venice. And I will come to hear you sing when you
come out at Milan.”
“Come out? At Milan?”
“Why, yes! You are going to study at the conservatory in Milan?”
“How did you know that?” demanded Lydia.
“From hearing you to-day. May I tell you how much I liked your singing?”
“My aunt thought I ought to cultivate my voice. But I would never go
upon the stage. I would rather sing in a church. I should like that
better than teaching.”
“I think you're quite right,” said Staniford, gravely. “It's certainly
much better to sing in a church than to sing in a theatre. Though I
believe the theatre pays best.”
“Oh, I don't care for that. All I should want would be to make a
living.”
Public-domain text, read in full here on John Shaqi.
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