Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
The next night Staniford found her alone in the waist of the ship, and
drew up a stool beside the rail where she sat.
“We all enjoyed your singing so much, last night, Miss Blood. I think
Mr. Hicks plays charmingly, but I believe I prefer to hear your voice
alone.”
“Thank you,” said Lydia, looking down, demurely.
“It must be a great satisfaction to feel that you can give so much
pleasure.”
“I don't know,” she said, passing the palm of one hand over the back of
the other.
“When you are a _prima donna_ you mustn't forget your old friends of the
Aroostook. We shall all take vast pride in you.”
It was not a question, and Lydia answered nothing. Staniford, who had
rather obliged himself to this advance, with some dim purpose of showing
that nothing had occurred to alienate them since the evening, of their
promenade, without having proved to himself that it was necessary to do
this, felt that he was growing angry. It irritated him to have her sit
as unmoved after his words as if he had not spoken.
“Miss Blood,” he said, “I envy you your gift of snubbing people.”
Lydia looked at him. “Snubbing people?” she echoed.
“Yes; your power of remaining silent when you wish to put down some one
who has been wittingly or unwittingly impertinent.”
“I don't know what you mean,” she said, in a sort of breathless way.
“And you didn't intend to mark your displeasure at my planning your
future?”
“No! We had talked of that. I--”
“And you were not vexed with me for anything? I have been afraid that
I--that you--” Staniford found that he was himself getting short of
breath. He had begun with the intention of mystifying her, but matters
had suddenly taken another course, and he was really anxious to know
whether any disagreeable associations with that night lingered in her
mind. With this longing came a natural inability to find the right word.
“I was afraid--” he repeated, and then he stopped again. Clearly, he
could not tell her that he was afraid he had gone too far; but this
was what he meant. “You don't walk with me, any more, Miss Blood,” he
concluded, with an air of burlesque reproach.
“You haven't asked me--since,” she said.
He felt a singular value and significance in this word, since. It showed
that her thoughts had been running parallel with his own; it permitted,
if it did not signify, that he should resume the mood of that time,
where their parting had interrupted it. He enjoyed the fact to the
utmost, but he was not sure that he wished to do what he was permitted.
“Then I didn't tire you?” he merely asked. He was not sure, now he came
to think of it, that he liked her willingness to recur to that time. He
liked it, but not quite in the way he would have liked to like it.
“No,” she said.
“The fact is,” he went on aimlessly, “that I thought I had rather abused
your kindness. Besides,” he added, veering off, “I was afraid I should
be an interruption to the musical exercises.”
Public-domain text, read in full here on John Shaqi.
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