a forced rhyme which the poet did well to get rid of. 234. Barret-cap. Cloth cap. Cf. the Lay, iii. 216: "Old England's sign, St. George's cross, His barret-cap did grace." He puts the purse in his cap as a favor. See on iv. 686 above. 242. Master's. He means the Douglas, but John of Brent takes it to refer to Roderick. See 305 below. 261. Wot. Know, understand. See on i. 596 above. 276. Rugged vaults. The MS. has "low broad vaults;" and in 279, "stretching" for crushing. 291. Oaken floor. The MS. and 1st ed. have "flinty floor;" and below: "'thou mayst remain;' And then, retiring, bolt and chain, And rusty bar, he drew again. Roused at the sound," etc. 292, 293. Such... hold. This couplet is not in the 1st ed., and presumably not in the MS., though the fact is not noted by Lockhart. 295. Leech. Physician. Cf. F. Q. iii. 3. 18: "Yf any leaches skill," etc.; and in the preceding stanza, "More neede of leach-crafte hath your Damozell," etc. 306. Prore. Prow (Latin prora); used only in poetry. 309. Astrand. On strand (cf. ashore), stranded. 316. At sea. The MS. has "on main," and "plain" for lea in the rhyme. The 1st ed. and that of 1821 have "on sea." 334. Has never harp, etc. The MS. reads: "Shall never harp of minstrel tell Of combat fought so fierce and well." 348. Strike it! Scott says: "There are several instances, at least in tradition, of persons so much attached to particular tunes, as to require to hear them on their death-bed. Such an anecdote is mentioned by the late Mr. Riddel of Glenriddel, in his collection of Border tunes, respecting an air called the 'Dandling of the Bairns,' for which a certain Gallovidian laird is said to have evinced this strong mark of partiality. It is popularly told of a famous freebooter, that he composed the tune known by the name of Macpherson's Rant while under sentence of death, and played it at the gallows-tree. Some spirited words have been adapted to it by Burns. A similar story is recounted of a Welsh bard, who composed and played on his death-bed the air called Dafyddy Garregg Wen. But the most curious example is given by Brantome of a maid of honor at the court of France, entitled Mademoiselle de Limeuil: 'Durant sa maladie, dont elle trespassa, jamais elle ne cessa, ainsi causa tousjours; car elle estoit fort grande parleuse, brocardeuse, et tres-bien et fort a propos, et tres-belle avec cela. Quand l'heure de sa fin fut venue, elle fit venir a soy son valet (ainsi que les filles de la cour en ont chacune un), qui s'appelloit Julien, et scavoit tres-bien jouer du violon. "Julien," luy dit elle, "prenez vostre violon, et sonnez moy tousjours jusques a ce que vous me voyez morte (car je m'y en vais) la Defaite des Suisses, et le mieux que vous pourrez, et quand vous serez sur le mot, 'Tout est perdu,' sonnez le par quatre ou cing fois, le plus piteusement que vous pourrez," ce qui fit