I think it very desirable that openings should be made in several places through the mass of wood, to admit views of the distant scenery from the drawingroom; as, for instance, if there is a church or a tower, or any other object that would form a suitable termination to a vista. In the reign of William and Mary, when the Dutch style of gardening was fashionable, nothing was more common than long vistas of the kind called _patte d'oie_, all springing in rays from one point, and each terminating in some ornamental object, such as a temple, an obelisk, or a statue. Some slight approximation to this style, by cutting long vistas through your woods, might therefore be very consistently introduced wherever a suitable occasion for it may occur. In planting your _architectural garden_, you must observe that it should have rather a different character from the small garden in front of your sitting-room window. The architectural garden should contain standard rose trees, almond trees, double-blossomed peaches and cherries, the Chinese magnolia, or yulan tree, and other showy-flowering trees, planted in company with arbutus, phillyrea, Minorca box, and other evergreens of a similar character. In the shrubbery, at each end of the garden, but not forming part of it, these trees should be continued, and mixed with variegated hollies, the different kinds of Cratæ'gus, and other trees that are ornamental, and that never attain a large size. I have already suggested that in various parts of the pleasure-grounds advantage should be taken of any natural inequalities that may exist, to form different scenes; and I have now only to add that advantage may be taken of singular peculiarities, should you wish to form in your grounds one of those arboretums which are now so fashionable.