The lady's mile : $b a novelBraddon, M. E. (Mary Elizabeth)
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The lady's mile : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
"Oh, poor fellow, he is a professional model, who has been handsome
in his day, but whose beauty has succumbed beneath the influence of
gin-and-water. My Æneas shall take after his mother. I have been
studying all the types of the Greek Aphrodite in order to find the head
I want."
"I heartily despise that poor stupid Dido, and I have always detested
Æneas," said the widow; "it is my belief that his piety was of the
Pecksniffian order, and that he only carried his father in order that
he might have an excuse for losing his wife. But I am dying to see
your picture nevertheless, and I shall count the days between this and
April."
The days passed quickly enough in spite of Mrs. Champernowne's
impatience; and early in that capricious month the painter stood before
his finished picture, waiting the widow's visit. He had been putting
the last touches to the canvas during that very morning; and even now
he had his palette in his hand, and hovered restlessly before his easel
every now and then, as if he would fain have made some new attack upon
Dido or her cruel lover.
"If Mrs. Champernowne doesn't come directly, I shall do something
dreadful to the Trojan's nose," he muttered, looking at the big
clock. "His nostrils are a thought too red, as it is: another touch
of vermilion, and he would look as if his nose had been bleeding. You
are a lovely creature, Dido; though perhaps I have no right to say
so. There are the wheels, and the bell,--'She is coming, my love, my
sweet.' I hope they have arranged a nice luncheon. I'll go out and meet
her."
The painter laid down his palette and ran to the portico, beneath which
Mrs. Champernowne appeared with her niece in attendance. Charming as
she was always, she had never been more delightful than to-day, with
her pretty air of impatience, her bewitching assumption of sisterly
interest in the painter's triumph.
"Take me straight to the painting-room, please," she said, as Mr.
Crawford moved towards the open door of the drawing-room. He obeyed
her, and led her at once to the big tapestried chamber, where the
perfume of jonquils and hyacinths blew in under the open window.
Public-domain text, read in full here on John Shaqi.
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