The lady's mile : $b a novelBraddon, M. E. (Mary Elizabeth)
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The lady's mile : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Every one who was worth meeting was to be met at Dr. Molyneux's
parties. Fashionable countesses, and pretty daughters of nameless
citizens from far northern regions of commercial splendour beyond
Islington and Hackney; cabinet ministers and briefless barristers;
a popular actor who had been taken up by the aristocracy; literary
men and African explorers; the very latest celebrity in the musical
world; and the last promoter of the last company for the cultivation
of the art of lace-making by spiders, or the construction of a canal
across the Isthmus of Panama--all these and many more were to be met
in the Harley Street drawing-rooms, or on the Harley Street staircase;
for it was only the more adventurous spirits who penetrated the
drawing-room, or heard any thing but the highest notes of the last
Scandinavian tenor. There were people who preferred the desultory
snatches of conversation, and rapid circulation of new arrivals, on
Dr. Molyneux's staircase to the splendid crush of his rooms. In the
crowded drawing-rooms beauty waxed pale in the glare of lamps and
tapers, but on the staircase wandering breezes from open windows and
doors fluttered the gauzy draperies of youth and the stately plumage of
age; and there was a dash of Bohemianism in the gaiety, which is apt to
be pleasing to modern revellers. For a thorough-going, cross-country
flirtation there was no place like Dr. Molyneux's broad landing.
There were deep window-seats that must surely have been devised by
some designing architect with a special view to the annihilation of
masculine peace, and the triumph of feminine loveliness. There were
stands of exotics whose friendly shade protected Edwin the briefless
and Angelina the beautiful from the awful eye of Angelina's mamma.
There were statuettes of marble and Parian, in pretended contemplation
of which Celadon and Amelia could bask in the light of each other's
eyes, while Amelia's papa was powerless to tear her from the
companionship of her penniless adorer. There were voluminous curtains
falling artistically from the carved cornices of massive doorways,
beneath whose shelter irrevocable engagements were made, only to be
broken by death, or the distracting complications of an ensuing season.
Public-domain text, read in full here on John Shaqi.
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