The Lady with the Dog and Other StoriesChekhov, Anton Pavlovich
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The Lady with the Dog and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"And your irony? Oh, but how well I understand it! Free, bold, living
thought is searching and dominating; for an indolent, sluggish mind it
is intolerable. That it may not disturb your peace, like thousands of
your contemporaries, you made haste in youth to put it under bar and
bolt. Your ironical attitude to life, or whatever you like to call it,
is your armour; and your thought, fettered and frightened, dare not leap
over the fence you have put round it; and when you jeer at ideas which
you pretend to know all about, you are like the deserter fleeing from
the field of battle, and, to stifle his shame, sneering at war and at
valour. Cynicism stifles pain. In some novel of Dostoevsky's an old man
tramples underfoot the portrait of his dearly loved daughter because he
had been unjust to her, and you vent your foul and vulgar jeers upon the
ideas of goodness and truth because you have not the strength to follow
them. You are frightened of every honest and truthful hint at your
degradation, and you purposely surround yourself with people who do
nothing but flatter your weaknesses. And you may well, you may well
dread the sight of tears!
"By the way, your attitude to women. Shamelessness has been handed down
to us in our flesh and blood, and we are trained to shamelessness; but
that is what we are men for--to subdue the beast in us. When you reached
manhood and _all_ ideas became known to you, you could not have failed
to see the truth; you knew it, but you did not follow it; you were
afraid of it, and to deceive your conscience you began loudly assuring
yourself that it was not you but woman that was to blame, that she was
as degraded as your attitude to her. Your cold, scabrous anecdotes, your
coarse laughter, all your innumerable theories concerning the underlying
reality of marriage and the definite demands made upon it, concerning
the ten _sous_ the French workman pays his woman; your everlasting
attacks on female logic, lying, weakness and so on--doesn't it all look
like a desire at all costs to force woman down into the mud that she may
be on the same level as your attitude to her? You are a weak, unhappy,
unpleasant person!"
Zinaida Fyodorovna began playing the piano in the drawing-room, trying
to recall the song of Saint Saëns that Gruzin had played. I went and lay
on my bed, but remembering that it was time for me to go, I got up with
an effort and with a heavy, burning head went to the table again.
Public-domain text, read in full here on John Shaqi.
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