The Lady with the Dog and Other StoriesChekhov, Anton Pavlovich
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The Lady with the Dog and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Kovrin went on reading the articles, but he understood nothing of them,
and flung them aside. The same pleasant excitement with which he had
earlier in the evening danced the mazurka and listened to the music was
now mastering him again and rousing a multitude of thoughts. He got up
and began walking about the room, thinking about the black monk. It
occurred to him that if this strange, supernatural monk had appeared to
him only, that meant that he was ill and had reached the point of having
hallucinations. This reflection frightened him, but not for long.
"But I am all right, and I am doing no harm to any one; so there is no
harm in my hallucinations," he thought; and he felt happy again.
He sat down on the sofa and clasped his hands round his head.
Restraining the unaccountable joy which filled his whole being, he then
paced up and down again, and sat down to his work. But the thought that
he read in the book did not satisfy him. He wanted something gigantic,
unfathomable, stupendous. Towards morning he undressed and reluctantly
went to bed: he ought to sleep.
When he heard the footsteps of Yegor Semyonitch going out into the
garden, Kovrin rang the bell and asked the footman to bring him some
wine. He drank several glasses of Lafitte, then wrapped himself up, head
and all; his consciousness grew clouded and he fell asleep.
IV
Yegor Semyonitch and Tanya often quarrelled and said nasty things to
each other.
They quarrelled about something that morning. Tanya burst out crying and
went to her room. She would not come down to dinner nor to tea. At first
Yegor Semyonitch went about looking sulky and dignified, as though to
give every one to understand that for him the claims of justice and good
order were more important than anything else in the world; but he could
not keep it up for long, and soon sank into depression. He walked about
the park dejectedly, continually sighing: "Oh, my God! My God!" and at
dinner did not eat a morsel. At last, guilty and conscience-stricken, he
knocked at the locked door and called timidly:
"Tanya! Tanya!"
And from behind the door came a faint voice, weak with crying but still
determined:
"Leave me alone, if you please."
The depression of the master and mistress was reflected in the whole
household, even in the labourers working in the garden. Kovrin was
absorbed in his interesting work, but at last he, too, felt dreary and
uncomfortable. To dissipate the general ill-humour in some way, he made
up his mind to intervene, and towards evening he knocked at Tanya's
door. He was admitted.
"Fie, fie, for shame!" he began playfully, looking with surprise at
Tanya's tear-stained, woebegone face, flushed in patches with crying.
"Is it really so serious? Fie, fie!"
Public-domain text, read in full here on John Shaqi.
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