The fact was that Edgar Caswall was, if not mad, close to the
border-line. Madness in its first stage--monomania--is a lack of
proportion. So long as this is general, it is not always noticeable, for
the uninspired onlooker is without the necessary means of comparison. But
in monomania the errant faculty protrudes itself in a way that may not be
denied. It puts aside, obscures, or takes the place of something
else--just as the head of a pin placed before the centre of the iris will
block out the whole scope of vision. The most usual form of monomania
has commonly the same beginning as that from which Edgar Caswall
suffered--an over-large idea of self-importance. Alienists, who study
the matter exactly, probably know more of human vanity and its effects
than do ordinary men. Caswall's mental disturbance was not hard to
identify. Every asylum is full of such cases--men and women, who,
naturally selfish and egotistical, so appraise to themselves their own
importance that every other circumstance in life becomes subservient to
it. The disease supplies in itself the material for self-magnification.
When the decadence attacks a nature naturally proud and selfish and vain,
and lacking both the aptitude and habit of self-restraint, the
development of the disease is more swift, and ranges to farther limits.
It is such persons who become imbued with the idea that they have the
attributes of the Almighty--even that they themselves are the Almighty.
Mimi had a suspicion--or rather, perhaps, an intuition--of the true state
of things when she heard him speak, and at the same time noticed the
abnormal flush on his face, and his rolling eyes. There was a certain
want of fixedness of purpose which she had certainly not noticed before--a
quick, spasmodic utterance which belongs rather to the insane than to
those of intellectual equilibrium. She was a little frightened, not only
by his thoughts, but by his staccato way of expressing them.
Caswall moved to the door leading to the turret stair by which the roof
was reached, and spoke in a peremptory way, whose tone alone made her
feel defiant.
"Come! I want you."
She instinctively drew back--she was not accustomed to such words, more
especially to such a tone. Her answer was indicative of a new contest.
"Why should I go? What for?"
He did not at once reply--another indication of his overwhelming egotism.
She repeated her questions; habit reasserted itself, and he spoke without
thinking the words which were in his heart.
"I want you, if you will be so good, to come with me to the turret roof.
I am much interested in certain experiments with the kite, which would
be, if not a pleasure, at least a novel experience to you. You would see
something not easily seen otherwise."
"I will come," she answered simply; Edgar moved in the direction of the
stair, she following close behind him.
Public-domain text, read in full here on John Shaqi.
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