The Laird of Norlaw; A Scottish StoryOliphant, Mrs. (Margaret)
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The Laird of Norlaw; A Scottish Story
Oliphant, Mrs. (Margaret)
Scotland -- Fiction
While the peaceful Manse of Kirkbride was turned into a house of
mourning, a strange little drama was being played at Melmar. The
household there seemed gradually clustering, a strange chorus of
observation, round Oswald and Desirée, the two principal figures in the
scene. Melmar himself watched the little Frenchwoman with cat-like
stealthiness, concentrating his regard upon her. Aunt Jean sat in her
chair apart, troubled and unenlightened, perpetually calling Desirée to
her, and inventing excuses to draw her out of the presence and society
of Oswald. Patricia, when she was present in the family circle, directed
a spiteful watch upon the two, with the vigilance of an ill-fairy; while
even Joanna, a little shocked and startled by the diversion of Desirée’s
regard from herself, a result which she had not quite looked for,
behaved very much like a jealous lover to the poor little governess,
tormenting her by alternate sulks and violent outbursts of fondness.
Oswald himself, though he was always at her side, though he gave her a
quite undue share of his time and attention, and made quite fantastical
exhibitions of devotion, was a lover, if lover he was, ill at ease,
capricious and overstrained. He knew her pretty, he felt that she was
full of mind, and spirit, and intelligence--but still she was a little
girl to Oswald Huntley, who was not old enough to find in her fresh
youth the charm which has subdued so many a man of the world--nor young
enough to meet her on equal ground. Why he sought her at all, unless he
had really “fallen in love” with her, it seemed very hard to find out.
Aunt Jean, looking on with her sharp black eyes, could only shake her
head in silent wonder, and doubt, and discomfort. He could have “nae
motive"--but Aunt Jean thought that lovers looked differently in her
days, and a vague suspicion disturbed the mind of the old woman. She
used to call Desirée to her own side, to keep her there talking of her
embroidery, or telling her old stories of which the girl began to tire,
being occupied by other thoughts. The hero himself was unaware of, and
totally indifferent to, Aunt Jean’s scrutiny, but Melmar himself
sometimes turned his fiery eyes to her corner, with a glance of doubt
and apprehension. She was the only spectator in the house of whose
inspection Mr. Huntley was at all afraid.
Public-domain text, read in full here on John Shaqi.
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