The Laird of Norlaw; A Scottish StoryOliphant, Mrs. (Margaret)
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The Laird of Norlaw; A Scottish Story
Oliphant, Mrs. (Margaret)
Scotland -- Fiction
The Mistress rose up in the fervor of her indignant disappointment;
vexation and mortified feeling brought the water to her eyes. She felt
aggrieved and wronged, not only in this setting aside of Huntley, but in
the very fact that Mary of Melmar was about to return. This Mary, for
whose unthankful sake her husband had neglected _her_ honest love and
faithful heart, had at last lured even her son, her youngest and best
beloved, away from her, and was coming back triumphant to the
inheritance which might have been Huntley’s. The Mistress’s heart rose
in a tumult of pride, love, indignation, and bitterness. She said “_my_
son,” and “_my_ Huntley,” with a proud and tender emphasis, an
involuntary, anxious impulse to make amends to him for the hope he had
lost--yet with an equally natural feeling rejected indignantly all
sympathy for him, and would not permit even his brothers to speak of
disappointment or loss to Huntley in this new event. She went away
across the room, breaking up the fireside circle by the hasty movement,
to seek out in her basket the stocking which she was knitting--for the
Mistress’s eyes began to fail her in candlelight with all her more
delicate industries--and coming back to the table, began to knit with
absorbed attention, counting the loops in the heel as if she had no care
for the further particulars which Cosmo, encouraged by Patie, proceeded
to tell. Yet she did hear them notwithstanding. But for the presence of
Patie’s practical good sense, Cosmo and his mother might have had
painful recollections of that night; but his brother’s steady look and
sober attention kept Cosmo from indulging the irritation and wounded
feeling which he might have felt otherwise. He went on with his story,
gradually growing interested in it, and watching--as a dramatist might
watch his first audience--the figure of the Mistress, who sat almost
with her back to him, knitting assiduously, the light of the candle
throwing a great shadow of her cap upon the wall, and her elbow moving
slightly with the movement of her wires. Cosmo watched how the elbow
moved irregularly at certain points of his tale, how it was still for an
instant now and then, as the interest grew, and the boy-poet was pleased
and forgave his mother. At last the stocking fell from the Mistress’s
hand--she pushed back her chair, and turned round upon him with a
half-scream.
“Desirée!” cried the Mistress, as she might have exclaimed at the crisis
of a highly interesting novel, “it’s her that’s at
Melmar--whisht!--dinna speak to me--I’m just as sure as that we’re a’
here--it’s her ain very bairn!”
Public-domain text, read in full here on John Shaqi.
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