The Laird of Norlaw; A Scottish StoryOliphant, Mrs. (Margaret)
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The Laird of Norlaw; A Scottish Story
Oliphant, Mrs. (Margaret)
Scotland -- Fiction
The boy’s pale face shone, and his eyes sparkled; his slender, tall,
overgrown boyish figure, his long arms stretching out of the narrow
sleeves of his jacket, his long slender hands, and long hair, the entire
and extreme youthfulness of his whole appearance, so distinct from the
fuller strength and manhood of his brothers, and animated by the touch
of a delicate spirit, less sober and more fervid than theirs, struck
strangely and suddenly upon the two who had hitherto held this
discussion alone. An instantaneous change came over the Mistress’s face;
the fire in her eyes melted into a tender effusion of love and sorrow,
the yearning of the mother who was a widow. Those tears, which her proud
temper and independent spirit had drawn into her eyes, fell with a
softness which their original cause was quite incapable of. She could
not keep to her first emotions; she could not restrain the expansion of
her heart toward the boy who was still only a boy, and his father’s son.
“My bairn!” cried the Mistress, with a short sob. He was the youngest,
the tenderest, the most like him who was gone--and Cosmo’s words had an
unspeakable pathos in their enthusiasm--the heroism of a child!
After this the mother dropped into her chair, altogether softened, while
Huntley spoke to her low and earnestly.
“Melmar is nothing to me,” said her eldest son, in the half-whispered
forcible words which Cosmo did not hear, but in which his mother
recognized the distinct resolution of a nature as firm as her own;
“nothing at least except a chance of wealth and fortune--only a chance
which can wait; but Norlaw is every thing--house, family, ancestors,
every thing that makes me proud of my name. Norlaw and the Livingstones
must never be disconnected while we can prevent it--and, mother, for
Cosmo’s sake!”
“Eh, Huntley, God forgive me if I set more weight upon him than I should
set!” said the Mistress, with tears; “no’ to your detriment, my own son;
but look at the bairn! is he not _his_ very image that’s gane?”
Public-domain text, read in full here on John Shaqi.
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