Often the soldier would bend and listen acutely for any least murmur
of voices or rustle of secret footstep whispering into the blank
deadliness of the pit beneath him. He heard nothing; was conscious of
no sound he could set apart from the distant noises of the house as
suspicious and unaccountable. Yet the voices were there and the
footsteps; but muffled so completely by the thick stone as to be
inaudible to the solitary man above.
Presently he found something irresistibly attractive in the swaying
flame of the candle on the wall. It was an aspen leaf blown by the
wind. A certain fever in his blood seemed to temper the cutting
draught to the caress of a summer zephyr. He was on a breezy common he
had known in childhood, eagerly hunting over a familiar poplar tree
for the moth (he remembered all at once, it went by the name of the
“Sycamore”) that lay cunningly hid by day in the furrows of the bark,
from which in colour it might scarcely be distinguished. He put out
his hand with a smile, staggered on the brink of the pit, recovered
himself and resumed his tramp with a curse at his own folly. But by
and by the flame fixed his attention once more. Tibbie! Who was she,
and why should he associate her with the jumping light? He remembered
all at once. It was the queer name of a little Scotch girl he had
worshipped as a boy. She had had hair golden as barley straw, and he
had begged a curl and had put it in his Bible, where it was always
connected in his mind with the tongues of flame. Good God! how long
ago was that? And would Tibbie give him a curl now, if she knew? Quite
suddenly his eyes were thick with tears. He pressed his hand to them
fiercely, and went up and down again--up and down. What strange
caprice of memory was renewing for him these shining ghosts of his
past? The new emotion, with a touch of ancient sorrow in it, sang in
his brain like restful music. Standing, he leaned against the wall,
shut his eyes--and immediately, with a throb and swerve of ecstasy, he
was asleep.
* * * * * * * * * * *
Public-domain text, read in full here on John Shaqi.
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