He took it up, as a priest lifts the Gospels; though not--in further
illustration--to kiss it. Here his reverence halted on the brink of
perplexity.
“Do you know what it is?” she murmured slyly, but a little anxiously
“You ought to.”
“Of course,” he said--almost in a perspiration already. “It is--it is
a gate, is it not?”
She was disappointed at the outset.
“How did you know?” she said, with a note of irrepressible irony in
her voice. “It is clever of you to have lighted on the truth at once;
and I tried so hard to conceal it. Yes, it is a gate--the gate of your
own wilderness.”
He looked at her helplessly.
“Is not this sort of thing--this--this wash-painting, in its infancy,
as--as it were?”
“Oh, yes! Mine, you would say, tries to run before it can walk.”
“No, no, no,” he murmured.
It was a shock to her to discover his inability to read the soul
behind the--possible immature--performance.
“Turn over,” she said. “Perhaps you will like the others better.”
He obeyed, with a vague air of wonderment. The remainder pages were
filled with copies, very elegant and painstaking.
“Ah!” he said, with a real relief and an air of embarrassed
conciliation. “These are beautiful. You paint in two styles, it seems.
How clever you are. I like this the better. I know nothing about such
things, of course, and can only judge when I understand a picture and
when I don’t. And they are all your own work? You are a genius, upon
my soul.”
She did not gainsay him. Perhaps she would not in any case. But now
she was indifferent to his praise or silence. Her hero, she thought--a
little crossly, it must be confessed--was not all transcendental. What
man was? The most amorous appealing eyes, in their moments of apparent
inspiration, were usually, if the truth should be confessed, an index
of thoughts dreamily loitering through visions of flint-locks,
steeple-chases, and even vulgar tankards of small-beer. Now-a-days,
whatever savour of romance clung about the creatures, was from their
persistent contact, through every phase of evolution, with the finer
feminine clay. Yet, could a soul completely gross and commonplace find
its expression in a personality so melancholy and so noble? She
glanced at her companion with a reviving tenderness. Of earth he might
be; but she thrilled to remember the strength of his arms as he bore
her from the sinking well-mouth. After all, Apollo was a sportsman
before he was a poet; or it never would have occurred to him to skin
critics who derided his lays.
“There,” she said. “You have seen them all. I keep you here, and you
are famishing for food of a very different order.”
Public-domain text, read in full here on John Shaqi.
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